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		<id>http://indpaedia.com/ind/index.php?action=history&amp;feed=atom&amp;title=Sadhana%2C_actress</id>
		<title>Sadhana, actress - Revision history</title>
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		<updated>2026-06-14T07:07:27Z</updated>
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	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=55395&amp;oldid=prev</id>
		<title>Pdewan: /* Filmography */</title>
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				<updated>2015-12-26T20:20:42Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Filmography&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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				&lt;col class='diff-content' /&gt;
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				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 20:20, 26 December 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Born: September 2, 1941 in Karach&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Born: September 2, 1941 in Karach&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;=Biographical details =&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[http://epaperbeta.timesofindia.com/Article.aspx?eid=31808&amp;amp;articlexml=Sadhana-whose-hairdo-defined-an-era-dead-26122015008067&amp;#160; Avijit Ghosh Dec 26 2015&amp;#160; PTI]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Actor Sadhana&amp;#160; will be remembered for many songs, sequences and films. But, her fringe haircut -that millions of teenage girls imitated, and who are all senior citizens today -was a rage which astonishingly found its way to Bihar's political phenomenon Lalu Prasad's forehead in his younger days.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Then, there is the defini tive wolf-whistle track from the film, Mera Saaya, `Jhumka gira re', where her shimmy caused pandemonium in mofussil theatres and immortalised a woman's earrings into a totem of desire.But, most importantly , it was Sadhna's impressive catalogue of box-office super hits -`Mere Mehboob', `Woh Kaun Thi', `Arzoo', `Waqt' -that made her a favorite of top filmmakers in the mid-1960s. A Karachi-born Sindhi, whose family fled to Mumbai in the violent days of Partition -Shivdasani is her maiden surname -Sadhana was named after the 1940s Bengali actor Sadhana Bose.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;She acted in the first Sindhi film, ` Abana', but was re-introduced along with Joy Mukerji as new sensations in `Love in Simla' (1960) made by premier production house Filmalaya. In the role of a tomboy who discovers the raptures of love after resisting its pull, she was immediately marked for stardom. The film was directed by R K Nayyar, whom she married later.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;In her black and white days of early 1960s, Sadhana largely played a range of roles sans glamour which became her calling card as the decade advanced. Bimal Roy's `Prem Patra' and `Parakh' (where she lipsynced two superlative Salil Chowdhury melodies, `O.. sajana .. barkha bahar aayee' and `Mila hai kisi ka humka'), `Hum Dono', `Manmauji', `Ek Musafir Ek Haseena' and ` Asli Naqli' broadly belong to this category.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;With the arrival of colour, as heroines became flippant and urbanised as per the demands of plot or the lack of it, Sadhana slipped effortlessly into the new order. But before that she got to play Husna, the sort of girl every man with poetry in his heart would fall or. No film framed her beauty better than HS Rawail's `Mere Mehboob' (1963), a coy romantic Muslim social that became the year's biggest box-office success.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;In `Waqt' and `Arzoo', two blockbusters of 1965, Sadhana was at her prime where she typified the commercial heroine of the era: stylish and always ready to be serenaded by a song. It was around this period that her face became synonymous with beauty accessories and the calendar in men's sa loons. She had become a style icon. Even though her sleeveless kurtas and suffocating, hip-hugging churidaars could choke a stray insect, tailors were ordered to make it tighter by eager fans.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;A thyroid problem took away her svelte and sizzle.But Sadhana continued to appear in films. The hits had dried up by the early 1970s though Devendra Goel's `Ek Phool Do Mali' (1969)&amp;#160; was an exception. Even Rajesh Khanna in his prime delivered flop with her in `Dil, Daulat aur Duniya' (1972). Her last hit was the thriller `Geeta Mera Naam', where she was both the leading lady and the director, a first of sorts.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;By the late 1970s, Sadhana had faded away . But her strong inventory ensures that she will continue to be seen on classic cinema channels on TV . And the haircut that goes by her name will endure long after the RJD supremo retires from politics.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;Actor Sadhana, 74, passed away following a brief illness in Mumbai&amp;#160; in Dec 2015.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=Filmography=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=Filmography=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==As an actress==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==As an actress==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=37472&amp;oldid=prev</id>
		<title>Pdewan: Pdewan moved page Sadhana to Sadhana, actress</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=37472&amp;oldid=prev"/>
				<updated>2015-02-22T19:34:58Z</updated>
		
		<summary type="html">&lt;p&gt;Pdewan moved page &lt;a href=&quot;/ind/index.php?title=Sadhana&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Sadhana (page does not exist)&quot;&gt;Sadhana&lt;/a&gt; to &lt;a href=&quot;/ind/index.php/Sadhana,_actress&quot; title=&quot;Sadhana, actress&quot;&gt;Sadhana, actress&lt;/a&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='1' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='1' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 19:34, 22 February 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=36150&amp;oldid=prev</id>
		<title>Pdewan at 20:52, 4 February 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=36150&amp;oldid=prev"/>
				<updated>2015-02-04T20:52:01Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 20:52, 4 February 2015&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1980s&lt;/del&gt;, when the tribal genre was finally abandoned by Hindi-Urdu cinema, in all films with some tribal characters there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1990s&lt;/ins&gt;, when the tribal genre was finally abandoned by Hindi-Urdu cinema, in all films with some tribal characters there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the outdoor shower; (Sunil Dutt) steadies her. &amp;lt;br/&amp;gt; And film journalists had the nerve to make fun of [[Sridevi]]'s 'thunder thighs.' |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the outdoor shower; (Sunil Dutt) steadies her. &amp;lt;br/&amp;gt; And film journalists had the nerve to make fun of [[Sridevi]]'s 'thunder thighs.' |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=36149&amp;oldid=prev</id>
		<title>Pdewan at 20:48, 4 February 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=36149&amp;oldid=prev"/>
				<updated>2015-02-04T20:48:10Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 20:48, 4 February 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in all films with some tribal characters &lt;/ins&gt;there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her. &amp;lt;br/&amp;gt; And film journalists had the nerve to make fun of [[Sridevi]]'s 'thunder thighs.' |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;outdoor &lt;/ins&gt;shower; (Sunil Dutt) steadies her. &amp;lt;br/&amp;gt; And film journalists had the nerve to make fun of [[Sridevi]]'s 'thunder thighs.' |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this meant that the female (Sadhana) went to the blue shower room, while the man (Sunil Dutt) was directed to the pink shower room. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this meant that the female (Sadhana) went to the blue shower room, while the man (Sunil Dutt) was directed to the pink shower room. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off in the blue shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off in the blue shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34723&amp;oldid=prev</id>
		<title>Pdewan at 23:58, 11 January 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34723&amp;oldid=prev"/>
				<updated>2015-01-11T23:58:50Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 23:58, 11 January 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt; And film journalists had the nerve to make fun of [[Sridevi]]'s 'thunder thighs.' &lt;/ins&gt;|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;means &lt;/del&gt;that the female (Sadhana) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;goes &lt;/del&gt;to the shower room &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with a blue door&lt;/del&gt;, while the man (Sunil Dutt) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;enters &lt;/del&gt;the pink shower room. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;meant &lt;/ins&gt;that the female (Sadhana) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;went &lt;/ins&gt;to the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;blue &lt;/ins&gt;shower room, while the man (Sunil Dutt) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was directed to &lt;/ins&gt;the pink shower room. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in the blue shower room&lt;/ins&gt;. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt6.png|'' Waqt'' (1965): While (Sadhana) is doing so, (Sunil Dutt) offscreen, switches off the lights of ''her'' cabin from some switch in ''his'' shower cabin! Mercifully, modern hotel swimming pools no longer offer this facility to the male partner in the pink room.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt6.png|'' Waqt'' (1965): While (Sadhana) is doing so, (Sunil Dutt) offscreen, switches off the lights of ''her'' cabin from some switch in ''his'' shower cabin! Mercifully, modern hotel swimming pools no longer offer this facility to the male partner in the pink room.|frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt77.png|'' Waqt'' (1965): The sudden darkness causes (Sadhana)&amp;#160; to freeze in panic. &amp;lt;br/&amp;gt; This was considered the most erotic sequence ever shown in an Indian film till then because of the ''implied'' stripping off of the swimsuit’s top. &amp;lt;br/&amp;gt; It was also applauded for the way it built up tension in the mind of the third angle of the film’s love triangle. (Raaj Kumar) was in the corridor outside the two adjacent shower rooms, eavesdropping on the lovebirds’ conversation, seething with jealousy and unconsciously lighting matchstick after matchstick.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt77.png|'' Waqt'' (1965): The sudden darkness causes (Sadhana)&amp;#160; to freeze in panic. &amp;lt;br/&amp;gt; This was considered the most erotic sequence ever shown in an Indian film till then because of the ''implied'' stripping off of the swimsuit’s top. &amp;lt;br/&amp;gt; It was also applauded for the way it built up tension in the mind of the third angle of the film’s love triangle. (Raaj Kumar) was in the corridor outside the two adjacent shower rooms, eavesdropping on the lovebirds’ conversation, seething with jealousy&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;and unconsciously lighting matchstick after matchstick.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sadhna Budtameez.png| Sadhna in '' Budtameez '' (1966) |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sadhna Budtameez.png| Sadhna in '' Budtameez '' (1966) |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34678&amp;oldid=prev</id>
		<title>Pdewan at 16:30, 11 January 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34678&amp;oldid=prev"/>
				<updated>2015-01-11T16:30:40Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:30, 11 January 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/ins&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/del&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt6.png|'' Waqt'' (1965): While (Sadhana) is doing so, (Sunil Dutt) offscreen, switches off the lights of ''her'' cabin from some switch in ''his'' shower cabin! Mercifully, modern hotel swimming pools no longer offer this facility to the male partner in the pink room.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt6.png|'' Waqt'' (1965): While (Sadhana) is doing so, (Sunil Dutt) offscreen, switches off the lights of ''her'' cabin from some switch in ''his'' shower cabin! Mercifully, modern hotel swimming pools no longer offer this facility to the male partner in the pink room.|frame&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/ins&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt77.png|'' Waqt'' (1965): The sudden darkness causes (Sadhana)&amp;#160; to freeze in panic. &amp;lt;br/&amp;gt; This was considered the most erotic sequence ever shown in an Indian film till then because of the ''implied'' stripping off of the swimsuit’s top. &amp;lt;br/&amp;gt; It was also applauded for the way it built up tension in the mind of the third angle of the film’s love triangle. (Raaj Kumar) was in the corridor outside the two adjacent shower rooms, eavesdropping on the lovebirds’ conversation, seething with jealousy and unconsciously lighting matchstick after matchstick.|frame&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/del&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt77.png|'' Waqt'' (1965): The sudden darkness causes (Sadhana)&amp;#160; to freeze in panic. &amp;lt;br/&amp;gt; This was considered the most erotic sequence ever shown in an Indian film till then because of the ''implied'' stripping off of the swimsuit’s top. &amp;lt;br/&amp;gt; It was also applauded for the way it built up tension in the mind of the third angle of the film’s love triangle. (Raaj Kumar) was in the corridor outside the two adjacent shower rooms, eavesdropping on the lovebirds’ conversation, seething with jealousy and unconsciously lighting matchstick after matchstick.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sadhna Budtameez.png| Sadhna in '' Budtameez '' (1966) |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sadhna Budtameez.png| Sadhna in '' Budtameez '' (1966) |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34677&amp;oldid=prev</id>
		<title>Pdewan at 16:29, 11 January 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34677&amp;oldid=prev"/>
				<updated>2015-01-11T16:29:15Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:29, 11 January 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/del&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/ins&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/del&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/ins&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34676&amp;oldid=prev</id>
		<title>Pdewan at 16:28, 11 January 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34676&amp;oldid=prev"/>
				<updated>2015-01-11T16:28:14Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:28, 11 January 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|500px]] &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Waqt2&lt;/del&gt;.png|&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' Waqt'' &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1965&lt;/del&gt;)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sadhana&lt;/del&gt;) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;slips &lt;/del&gt;in the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;water around &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;shower; &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sunil Dutt&lt;/del&gt;) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;steadies her&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Rajkumar&lt;/ins&gt;.png|(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sadhana&lt;/ins&gt;) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1964&lt;/ins&gt;)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Sadhana played a tribal princess &lt;/ins&gt;in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;tribals &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;only the women and never the men&lt;/ins&gt;) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;bathed regularly, and partly to take the message of regular ablutions to the tribals&lt;/ins&gt;.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame|500px]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34675&amp;oldid=prev</id>
		<title>Pdewan at 16:26, 11 January 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34675&amp;oldid=prev"/>
				<updated>2015-01-11T16:26:31Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:26, 11 January 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/ins&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34674&amp;oldid=prev</id>
		<title>Pdewan at 16:25, 11 January 2015</title>
		<link rel="alternate" type="text/html" href="http://indpaedia.com/ind/index.php?title=Sadhana,_actress&amp;diff=34674&amp;oldid=prev"/>
				<updated>2015-01-11T16:25:32Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:25, 11 January 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Rajkumar.png|(Sadhana) and her BFFs under a waterfall in&amp;#160; Rajkumar&amp;#160; (1964). Sadhana played a tribal princess in the film. &amp;lt;br/&amp;gt;Till the 1980s, when the tribal genre was finally abandoned by Hindi-Urdu cinema, there would be an almost mandatory sequence showing tribal women bathing in a stream or under a waterfall. This was done partly because Filmistan wanted to reassure urban audiences that the tribals (only the women and never the men) bathed regularly, and partly to take the message of regular ablutions to the tribals.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt1.png|Sadhana: with Sunil Dutt in '' Waqt'' (1965).This was one of her few swimsuit appearances; she also appeared in one in Budtameez. (See [[Shammi Kapoor]]&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/del&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt2.png|'' Waqt'' (1965): (Sadhana) slips in the water around the shower; (Sunil Dutt) steadies her.&amp;#160; |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt3.png|'' Waqt'' (1965): (Sadhana) tells (Sunil Dutt) that he is entering the wrong, i.e. the women’s, shower cabin. She stops him from entering the ''blue'' door! |frame&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/ins&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt4.png|'' Waqt'' (1965): Despite director Yash Chopra’s pretences to Western sophistication, this means that the female (Sadhana) goes to the shower room with a blue door, while the man (Sunil Dutt) enters the pink shower room. |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt5.png|'' Waqt'' (1965): (Sadhana) begins to take her swimsuit off. |frame|left|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt6.png|'' Waqt'' (1965): While (Sadhana) is doing so, (Sunil Dutt) offscreen, switches off the lights of ''her'' cabin from some switch in ''his'' shower cabin! Mercifully, modern hotel swimming pools no longer offer this facility to the male partner in the pink room.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt6.png|'' Waqt'' (1965): While (Sadhana) is doing so, (Sunil Dutt) offscreen, switches off the lights of ''her'' cabin from some switch in ''his'' shower cabin! Mercifully, modern hotel swimming pools no longer offer this facility to the male partner in the pink room.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt77.png|'' Waqt'' (1965): The sudden darkness causes (Sadhana)&amp;#160; to freeze in panic. &amp;lt;br/&amp;gt; This was considered the most erotic sequence ever shown in an Indian film till then because of the ''implied'' stripping off of the swimsuit’s top. &amp;lt;br/&amp;gt; It was also applauded for the way it built up tension in the mind of the third angle of the film’s love triangle. (Raaj Kumar) was in the corridor outside the two adjacent shower rooms, eavesdropping on the lovebirds’ conversation, seething with jealousy and unconsciously lighting matchstick after matchstick.|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Waqt77.png|'' Waqt'' (1965): The sudden darkness causes (Sadhana)&amp;#160; to freeze in panic. &amp;lt;br/&amp;gt; This was considered the most erotic sequence ever shown in an Indian film till then because of the ''implied'' stripping off of the swimsuit’s top. &amp;lt;br/&amp;gt; It was also applauded for the way it built up tension in the mind of the third angle of the film’s love triangle. (Raaj Kumar) was in the corridor outside the two adjacent shower rooms, eavesdropping on the lovebirds’ conversation, seething with jealousy and unconsciously lighting matchstick after matchstick.|frame&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/ins&gt;|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sadhna Budtameez.png| Sadhna in '' Budtameez '' (1966) |frame&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|left&lt;/del&gt;|500px]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sadhna Budtameez.png| Sadhna in '' Budtameez '' (1966) |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

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