Meena Kapoor

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[http://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2017%2F11%2F25&entity=Ar01905&sk=A9617B1C&mode=text ''The Times of India'']
 
[http://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2017%2F11%2F25&entity=Ar01905&sk=A9617B1C&mode=text ''The Times of India'']
  

Revision as of 08:42, 26 November 2017

This is a collection of articles archived for the excellence of their content.

Career highlights

The Times of India


Meena Kapoor's lilting voice aptly articulated the eagerness of expectant love in the superhit 1950 track, Mori atariya pe kaaga bole(film: ‘Aankhen’, music: Madan Mohan).

In a career spread over nearly two decades (1946-1965), Kapoor sang 100-odd numbers. She sang for many top composers like SD Burman, C Ramchandra, Husnlal-Bhagatram, Khayyam, Sajjad Hussain and, of course, Biswas. She was equally at home crooning playful melodies such as Pyaara pyaara hai sama my dear come to me (film: Kamal, music: SD Burman, cosinger: Motilal, 1949) or songs of ache (Gham sehna hai, lab seena hai, film: Raees, music: Manohar Arora, 1948). Her biggest hit, however, came under the baton of C Ramchandra, Aana meri jaan meri jaan Sunday ke Sunday (film: ‘Shehnai’, 1947).

Kapoor and noted music director Anil Biswas were married in 1959. The duo moved to Delhi in the early 1960s. Kapoor spent her last days in Kolkata.

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