Please correct us: on facts as well as the Romanisation of artistes’ names and film titles. Corrections, additional facts and anecdotes may please be sent as messages to the Facebook community, Indpaedia.com. All information used will be gratefully acknowledged in your name.

The 105 most popular/ significant Hindi-Urdu songs of 1960

Two notes on the credits

i) The Gulzar who wrote the lyrics of the song Rut albeli, mast samaañ for the film Shriman Satyavadi was not our good old Sampooran Singh Kalra, as an otherwise reliable website suggests by simply giving the credit to ‘Gulzar.’ This writer, instead, was the lesser-known Gulzar Deenvi, as several internet searches revealed and Hindi Film Geet Kosh confirmed.

ii) Who sang the song Na to qaravañ ki talash hai for the film Barsaat ki Raat? A usually reliable website said: Asha Bhosle, Manna Dey, Mohammed Rafi, Sudha Malhotra. But Binaca Geetmala ka Sureela Safar wrote: Manna Dey, Asha Bhosle, Sudha Malhotra, S.D. Batish. The arbitration of SaReGaMa was pointless because its site credited the song to Asha Bhosle alone. However, if you scoured the SaReGaMa site for the Geetmala ki Chhaon Mein CDs you learnt that the song had been sung by Asha Bhosle and Manna Dey. Small mercy. Therefore, Indpaedia consulted Hindi Film Geet Kosh, which agreed with Sureela Safar. Out of abundant caution Indpaedia also consulted the film’s credit titles, which confirmed that Sudha Malhotra and S.D. Batish were among the film’s singers.

History

Yogesh Pawar recalled in DNA India

In 1960 film-maker K Asif convinced legend Bade Ghulam Ali Khan Saheb to sing for his opulent Mughal era epic, Mughal-e-Azam. The late music composer Naushad once shared with [Yogesh Pawar:]

I had gone to Khan Saheb with K Asif since I felt there was no one else who could do justice as the voice of Emperor Akbar’s court singer Mia Tansen. With his Patiala-Kasur style, the Behram Khani elements of Dhrupad, the gyrations of Jaipur, and the embellishments of Gwalior, his flexible voice could effortlessly span three octaves and easily move in all tempi,” he had said. “I was convinced it won’t work after he first refused.”

But Asif wouldn’t give up that easily. He kept coaxing Bade Ghulam Ali politely.

In a bid to dissuade them, the maestro reportedly demanded Rs25,000 per song, “At a time when reigning playback singers like Lata Mangeshkar and Mohammed Rafi got less than Rs500 per song, this seemed stiff,” remembered Naushad. “Asif immediately agreed, and the Ustad agreed to sing my compositions in Raga Sohni and Rageshri.”

Both ‘Prem jogan ban-ke’ and ‘Shubh din aayo raj dulara’ are still regarded as high points in the history of Indian film music.

The ‘next rung’

The Geetmala ki Chhaon Mein CDs list 39 songs that were ‘in the shade’ (chhaoñ songs) this year. Prof Bhargava has compiled a list of eighteen runners-up. The two lists have nine songs in common. Thus, between the two, there are 48 unique songs in the ‘next rung.’

GC: Geetmala ki Chhaon Mein is a set of 50 CDs issued by Saregama in instalments that continued into 2012-13. The set concentrated on songs that had ‘remained in the shadow’ (chhaoñ) of the main annual list of Binaca and its successor Geet Malas. These, thus, were the ‘next rung’ of songs, which were popular but did not make it to the main annual list.

AB: Bhargava, Anil, Binaca Geetmala ka Sureela Safar (Hindi; 2007; Rs.1,200), Vangmaya Prakashan, Jaipur-302015. vangmaya_jpr@yahoo.com)

Volumes 16 to 20 of Geetmala ki Chhaon Mein contain songs from the years 1960 to 1963. However, the songs have not been organised according to the year or any other comprehensible criteria. That Indpaedia had to rearrange them yearwise is not the issue.

‘Sureela Safar’ has placed some songs released in one year in the next year’s Runners Up list. Perfectly understandable. Songs don’t lose their popularity at the stroke of midnight on December 31.

The issue is that in some cases GCM has listed a song in the year of its release but ‘Sureela Safar’ has placed the same song in the subsequent year. In such cases Indpaedia has listed the song under the earlier year, the one mentioned by GCM. However, if a song has been mentioned on ‘Sureela Safar’s’ Runners Up list alone Indpaedia has respected ‘Sureela Safar’s’ judgement about that song continuing to be popular in the next year as well.

Na Zafar kay qalam ki ijaad hoon, na Bharat Vyas ka shaoor hoon

(qalam= pen, quill; ijaad= invention, creation; shaoor= Cognition Knowledge)

In 1960 a low-budget, historical, B film called Lal Qilla (official spelling) caught the attention of the lovers of Hindi- Urdu poetry because of two songs, one [Lagta nahin hai dil mera ] certainly and the other [Na Kisi Ki Aankh] ostensibly written by the film’s main character, Emperor Bahadur Shah Zafar.

The film’s credit titles are of no help. They have no title card for ‘lyrics’. Instead they have a card saying “songs by Bharat Vyas.”

The confusion was compounded by the extended play gramophone record Lal Qilla/ Babar (Odeon, TAE 1095). On the back cover of the record’s jacket there is no mention of the lyricist. However, the record itself, which carries both the aforesaid songs on Side One, gives the name of just Zafar as the lyricist. This made everyone assume that the emperor wrote both songs.

Sneha Mahadevan | 'Na Kisi Ki Aankh Ka Noor Hoon was written by my grandfather' | Sep 09, 2015 adds:

<<For decades now there has been confusion about the original writer of Urdu nazm Na Kisi Ki Aankh Ka Noor Hoon, Na Kisi Ke Dil Ka Qarar Hoon. While Bahadur Shah Zafar has been attributed for having written it, a controversy was raised at the behest of Jan Nisaar Akhtar and Javed Akhtar that the ghazal was written by Muztar Khairabadi. After years and years of research, renowned veteran lyricist and poet, Javed Akhtar, grandson of Khairabadi, has found the original copy in the pages of his grandfather’s personal books

<<He says, “He is probably the only poet in India whose work hasn’t been published so I have put it all together. In fact, though the song is very popular as it was in the movie Lal Qilla, and has been sung by so many people, no one really knew the original writer. He was a very versatile man and never repeated himself in his work.”>>

However, Qudsia Gandhi feels that <<It is still debatable.

<<Aqil Ahmad of Ghalib Academy provides a contrarian view from Mumbai-based poet-critic Shamin Tariq. "I don't deny that the ashaar (couplets) that Zafar recited after 1857 have not all been preserved safely. Those of other poets have also been included in them,"

<<Shamim Tariq says, "Some other poets can stake claim on some couplets but the complete ghazal, he adds, does not reflect the helplessness of just one person, but mourns the loss of a whole generation, of the India of old.

<<But that's not unusual. "While [writing a] sher, he would correct it."

<<That, he says, is probably what Khairabadi did with Zafar's ghazal. "He has taken care of its health and balanced it out wonderfully." And maybe he added a few couplets of his own, he says.

<<Here again there are variations. Sometimes the ghazals were known to have five couplets, while Khairabadi's had seven," says Azmi.

<<There is one crucial giveaway. "The last couplet has his Na main Muztar unka habeeb hoon, na main Muztar unka raqeeb hoon; jo palat gaya woh naseeb hoon, jo ujad gaya woh dayaar hoon. (Neither is Muztar her dear, nor is he her confidant; I am the fate that turned bad, the house that got destroyed).

<<But the question about the uncanny similarity in the tone found in Zafar's ghazal reflects that, hence the similarity.

<<In different versions, this Lal Qilla is different from what Khairabadi has written on that yellowing piece of paper, and the version in Khalil-ur-Rehman Azmi's book reads slightly differently. Either the order of the couplets has changed or words have changed their position. In some places, old words have been replaced by new. >>

Raags in songs

Few film songs that have a root in Indian classical music remain faithful to a raag throughout their length. Indpaedia volunteers have sometimes mentioned raags even when there is merely a hint of that raag in a song. (Raag is also spelt raga.)

Some of the songs on this page were suggested by

songsofyore

Ranade, Ashok Da, "Hindi Film Somg: Music Beyond Boundaries" (2006, Promilla & Company, New Delhi, Chicago; 2013 edition: Rs.695)

A special raag

The song Jane kaise sapnon mein kho gayi from Anuradha is set in Raag Tilak Shyam. This raag was created by Pt. Ravi Shankar himself. Those who are unaware of this new raag assume that the song is in Manj Khamãj.

Binaca Geetmala’s Top 32 songs of 1960

	Song	Film	Music Director	Lyricist	Singer(s)
1	Zindagi bhar nahiñ bhoolegi voh barsaat ki (Raag Kalyãn/ Taal Keherwã)	Barsaat ki Raat	Roshan	Sahir Ludhianvi	Mohammed Rafi/Lata Mangeshkar
2	Chaudhvîñ ka chãñd ho (Pahãrhi/ Taal Keherwã)	Chaudhvin Ka Chand	Ravi	Shakeel Badayuni	Mohammed Rafi
3	Mujhko is raat ki tanhai mein awaaz na do (Raag Bhairavi/ Taal Dãdrã)	Dil Bhi Tera Hum Bhi Tere	Kalyanji Anandji	Shamim Jaipuri	Mukesh/ Lata Mangeshkar
4	Jab pyar kiya to darna kya (Dadra)	Mughal-e-Azam	Naushad	Shakeel Badayuni	Lata Mangeshkar
5	Chal ri sajani ab kya soche	Bombai Ka Babu	Sachin Dev Burman	Majrooh Sultanpuri	Mukesh
6	Dil apna aur preet parai (Raag Bhairavi/ Taal: Dadra, Hinch)	Dil Apna Aur Preet Parai (1959)	Shankar Jaikishan	Shailendra	Lata Mangeshkar
7	Tere pyar ka aasrã chaahta hoon (Raag Sãrañg, Raag Pîloo/ Taal Fast Keherwã)	Dhool Ka Phool (1959)	N Dutta	Sahir Ludhianvi	Lata Mangeshkar, Mahendra Kapoor
8	Muhabbat ki jhoothi kahani pe roye (Raag Darbari Kãnrha/ Taal Keherwã)	Mughal-e-Azam	Naushad	Shakeel Badayuni	Lata Mangeshkar
9	Chhaliya mera naam (Raag Bhairavi/ Taal Keherwa)	Chhalia	Kalyanji Anandji	Qamar Jalalabadi	Mukesh
10	Tu hai harjai to apna bhi yehi taur sahi	Tu Nahin Aur Sahi	Ravi	Majrooh Sultanpuri	Mukesh
11	Ham tadap tadap kar bhi (Tadpao-gé, tadpa lo)	Barkha (1959)	Chitragupt	Rajinder Krishan	Lata Mangeshkar
12	Mera dil ab tera o saajana	Dil Apna Aur Preet Parai	Shankar Jaikishan	Shailendra	Lata Mangeshkar
13	Dam dam deega deega	Chhalia	Kalyanji Anandji	Qamar Jalalabadi	Mukesh
14	Aadha hai chandrama raat aadhi (Raag Malkauns/ Taal Dãdrã)	Navrang (1959)	Chitalkar Ramchandra	Bharat Vyas	Asha Bhosle, Mahendra Kapoor
15	Khoya khoya chand khula aasman	Kala Bazar	Sachin Dev Burman	Shailendra	Mohammed Rafi
16	Tumhe yaad hoga kabhi hum milay thay	Satta Bazaar (1959)	Kalyanji Anandji	Gulshan Bawra	Lata Mangeshkar, Hemant Kumar
17	O sajana barkha bahar aayi (Raag Khamãj/ Taal Keherwã)	Parakh	Salil Chowdhury	Shailendra	Lata Mangeshkar
18	Sheesha-e-dil itna na uchhalo (Raag Bhairavi/ Taal Dãdrã)	Dil Apna Aur Preet Parai	Shankar Jaikishan	Hasrat Jaipuri	Lata Mangeshkar
19	Yaad aa gai voh nasheeli nigaheiñ	Manzil	Sachin Dev Burman	Majrooh Sultanpuri	Hemant Kumar
20	Matwali naar thumak thumak chali jaye (Raag Mãru Bihãg/ Taal Keherwã)	Ek Phool Char Kante	Shankar Jaikishan	Shailendra	Mukesh
21	Pyar ho to keh do ‘Yes’	Dil Deke Dekho (1959)	Usha Khanna	Majrooh Sultanpuri	Mohammed Rafi
22	Dhadakne lage dil ke taron ki duniya	Dhool Ka Phool (1959)	N Dutta	Sahir Ludhianvi	Asha Bhosle, Mahendra Kapoor
23	Mili khak mein muhabbat jala dil ka ashiyana	Chaudhvin Ka Chand	Ravi	Shakeel Badayuni	Mohammed Rafi
24	Ajeeb dastañ hai yeh, kahaañ shuru kahaañ khatam	Dil Apna Aur Preet Parai	Shankar Jaikishan	Shailendra	Lata Mangeshkar
25	Mera yâr bana hai doolha	Chaudhvin Ka Chand	Ravi	Shakeel Badayuni	Mohammed Rafi
26	Ye sheher bada albela, Singapur	Singapore	Shankar Jaikishan	Shailendra	Mukesh
27	Mohe panghat pe Nand-lãl chhed gayo re (Raag Gãrã> Gara Khamãj/ Teen Taal, Dãdrã)	Mughal-e-Azam	Naushad	Shakeel Badayuni	Lata Mangeshkar
28	Haye! Jãdugar qãtil, haazir hai mera dil (Raag Bhairavi/ Taal Keherwa)	Kohinoor	Naushad	Shakeel Badayuni	Asha Bhosle
29	Dil lootney valey jadugar	Madari (1959)	Kalyanji Anandji	Farooq Qaisar	Mukesh, Lata Mangeshkar
30	Bade hain dil ke kaale	Dil Deke Dekho (1959)	Usha Khanna	Majrooh Sultanpuri	Mohammed Rafi, Asha Bhosle
31	Mere toote hue dil se koi to aaj ye poochhe	Chhalia	Kalyanji Anandji	Qamar Jalalabadi	Mukesh
32	Apni to har aah ik toofan hai	Kala Bazar	Sachin Dev Burman	Shailendra	Mohammed Rafi

The next 49 songs

Song	Film	Music Director	Lyricist	Singer(s)	GC	AB
Tu har ek musîbat ka muqabla karle	Aanchal	C. Ramchandra	Pradeep	Sudhir Phadke	GC
Woh jo milte the kabhi hum se	Akeli Mat Jaiyo	Madan Mohan	Majrooh Sultanpuri	Lata Mangeshkar	GC
Jane kaise sapnon mein kho gayi ankhiyan (Raag Tilak Shyam/ Taal Keherwã)	Anuradha	Pt. Ravi Shankar	Shailendra	Lata Mangeshkar	GC
Kaise din beete kaise biti ratiyan piya jane na (Raag Manj Khamãj/ Taal Dãdrã)	Anuradha	Pt. Ravi Shankar	Shailendra	Lata Mangeshkar	GC
Tujhe mili roshni mujhko andhera	Apna Haath Jagannath	Sachin Dev Burman	Kaifi Azmi	Asha Bhosle	GC
Tum jahan jahan	Apna Haath Jagannath	Sachin Dev Burman	Kaifi Azmi	Kishore Kumar, Asha Bhosle	GC
Tum ek baar mohabbat ka imtihan to lo	Babar	Roshan	Sahir Ludhianvi	Mohammed Rafi	GC
Ja re badra bairi ja (Yaman Kalyãn/ Teen Taal)	Bahaana	Madan Mohan	Rajinder Krishan	Lata Mangeshkar	GC
Teri nigahon mein teri hi bahon mein	Bahaana	Madan Mohan	Rajinder Krishan	Asha Bhosle, Talat Mehmood	GC
Chanda re mori patiya le ja, sajan ko pahuncha de re (Raag Durga/ Taal Keherwã)	Banjaran (Raag Durga/ Taal Keherwã)	Pardesi	Pt. Madhur	Lata Mangeshkar, Mukesh	GC
Ik raat mein do-do chaañd khiley	Barkha	Chitragupt	Rajinder Krishan	Mukesh, Lata Mangeshkar		AB
Maayoos to hoon	Barsaat ki Raat	Roshan	Sahir Ludhianvi	Mohammed Rafi	GC
Main ne shayad tumhein pehle bhi (Raag Pîloo/ Taal Keherwã)	Barsaat ki Raat	Roshan	Sahir Ludhianvi	Mohammed Rafi	GC	AB
Na to qâravâñ ki talash hai (Raag Kalavati/ Taal Keherwa)	Barsaat ki Raat	Roshan	Sahir Ludhianvi	Manna Dey, Asha Bhosle, Sudha Malhotra, S.D. Batish	GC	AB
Dekhiye yun na sharmâiyégâ	Bindiya	Iqbal Qureshi	Rajinder Krishan	Mukesh, Usha Khanna	GC
Main apne aap se ghabra gaya hoon… mujhe zindagi dîwana kar de (Raag Tilang/ Taal Dãdrã)	Bindiya	Iqbal Qureshi	Rajinder Krishan	Mohammed Rafi	GC
Deewana mastaana hua dil, jaaney kahâñ ho kay bahâr aayi	Bombai ka Babu	Sachin Dev Burman	Majrooh Sultanpuri	Asha Bhosle, Mohammed Rafi		AB
Saathi na koi manzil	Bombai ka Babu	Sachin Dev Burman	Majrooh Sultanpuri	Mohammed Rafi	GC	AB
Main deewana-mastana, mushkil bhed mera paa jana	Chaalis Din	Babul	Kaifi Azmi	Mukesh		AB
Badle badle mere sarkar	Chaudhvin ka Chand	Ravi	Shakeel Badayuni	Lata Mangeshkar	GC	AB
Baje payal chhun chhun	Chhalia	Kalyanji-Anandji	Qamar Jalâlâbâdî	Lata Mangeshkar, chorus	GC
Tu Hindu banega na Musalman banega (Raag Bhairavi/ Taal Dãdrã)	Dhool ka Phool	N. Dutta	Sahir Ludhianvi	Mohammed Rafi		AB
Tu merey pyar ka phool hai	Dhool ka Phool	N. Dutta	Sahir Ludhianvi	Lata Mangeshkar		AB
Bombshell baby of Bombay	Ek Phool Char Kante	Shankar Jaikishan	Shailendra	Iqbal Singh	-	-
Gaa diwane jhoom ke	Flat No.9	Usha Khanna	Majrooh Sultanpuri	Mukesh	GC
Lage na mora jiya sajna nahin ãyé haye (Raag Shivarañjini/ Taal Dãdrã)	Ghunghat	Ravi	Shakeel Badayuni	Lata Mangeshkar	GC
Kashti ka khamosh safar	Girl Friend	Hemant Kumar	Sahir Ludhianvi	Kishore Kumar, Sudha Malhotra	GC
Main hoon jhoom jhoom jhumroo	Jhumroo	Kishore Kumar	Kishore Kumar	Kishore Kumar	GC
Thandi hawa yeh chandni suhani (Ai meré dil suna koi kahani)	Jhumroo	Kishore Kumar	Majrooh Sultanpuri	Kishore Kumar	GC
Dil dhundta hai sahare sahare	Kala Aadmi	Dattaram	Hasrat Jaipuri	Mukesh	GC
Na main dhan chahun	Kala Bazar	Sachin Dev Burman	Shailendra	Geeta Dutt, Sudha Malhotra	GC
Sach huye sapne tere	Kala Bazar	Sachin Dev Burman	Shailendra	Asha Bhosle	GC
O ji, sawan mein hoon béqarâr	Kalpana	O P Nayyar	Hasrat Jaipuri	Asha Bhosle	GC
Alif zaber ah	Love in Simla	Iqbal Qureshi	Rajinder Krishan	Mohammed Rafi	GC
Dar pe aaye hain tere qasam le	Love in Simla	Iqbal Qureshi	Rajinder Krishan	Mukesh	GC	AB
Chupke se mile pyase pyase	Manzil	Sachin Dev Burman	Majrooh Sultanpuri	Geeta Dutt, Mohammed Rafi	GC
Dil to hai deewana, na, maanega bahana na	Manzil	Sachin Dev Burman	Majrooh Sultanpuri	Mohammed Rafi, Asha Bhosle		AB
Hato kâhé ko jhoothi banao batiyan (Raag Bhairavi/ Taals Dadra, Teen Taal)	Manzil	Sachin Dev Burman	Majrooh Sultanpuri	Manna Dey	GC
Poochho na humeiñ hum unn ke liye/ Kya kya nazrané layé haiñ	Mitti Me Sona	O P Nayyar	Raja Mehdi Ali Khan	Asha Bhosle	GC	AB
Beqas pe karam kijiye (Raag Kédãr/ Taal Dãdrã)	Mughal é Azam	Naushad	Shakeel Badayuni	Lata Mangeshkar	GC	AB
Teri mehfil mein qismat ãzmã kar hum bhi dekhenge	Mughal é Azam	Naushad	Shakeel Badayuni	Lata Mangeshkar, Shamshad Begum etc		AB
Tu chhupi hai kahâñ (Raag Malkauns/ Taal Keherwã),	Navrang (1959)	C. Ramachandra	Bharat Vyas	Manna Dey, Asha Bhosle		AB
Ye bansi kyoñ gãyé/mila hai kisi ka jhumka	Parakh	Salil Chowdhury	Shailendra	Lata Mangeshkar	GC
Rang dil ki dhadkan bhi lati	Patang	Chitragupta	Rajinder Krishan	Lata Mangeshkar	GC	AB
Zulfon ki ghata lekar	Reshmi Roomal	Babul (Bose)	Raja Mehdi Ali Khan	Asha Bhosle, Manna Dey	GC
Haal-e-dil hamara	Shriman Satyavadi	Dattaram (Wadkar)	Hasrat Jaipuri	Mukesh	GC
Rut albeli, mast samaañ	Shriman Satyavadi	Dattaram	Gulzar Deenvi	Mukesh		AB
Machalti aarzoo khadi bahein pasaré	Usne Kaha Tha	Salil Chowdhury	Shailendra	Lata Mangeshkar	GC	AB
Thare kajaliyo banalyun	Veer Durgadas	S.N. Tripathi	Bharat Vyas	Lata Mangeshkar, Mukesh	GC

>=24 songs with a classical background=

Song	Film	Music Director	Lyricist	Singer(s)
Hayé re wo din kyun naa aaye, jã jã ké ritu lauT aayé (Raag Jan-sammohani/ Taal Rupak)	Anuradha	Pt. Ravi Shankar	Shailendra	Lata Mangeshkar
Saañwaré, saanware, kahé mo-sé karo jorã jorî (Raag Sindhu Bhairavi/ Teen Taal)	Anuradha	Pt. Ravi Shankar	Shailendra	Lata Mangeshkar
Sare jahañ se achcha (Pahãrhi/ Taal Keherwã)	Apna Ghar 1960	Ravi	Allama Dr Iqbal	???
Salãm é hasrat qubool kar lo, meri muhabbat qubool kar lo, [Raag Yaman Kalyãn/ Taal Keherwã]	Babar	Roshan	Sahir Ludhianvi	Sudha Malhotra
Muft huyé badnãm ki si se haayé dil ko laga ké (Pahãrhi/ Taal Keherwã)	Baraat	Chitragupta	Majrooh Sultanpuri	Mukesh
Garjat barsat saawan ayo re (Raag Gaud Malhar)	Barsaat Ki Raat	Sahir Ludhianvi	Roshan	Suman Kalyanpur, Kamal Barot
Sajnaaaa, sajnaaaa kãhé bhool gaye din pyar ke (Raag Bhairavi/ Taal Keherwã)	Chand Mere Aja	Chitragupta	Prem Dhawan	Lata Mangeshkar
Nain ka chaen chura kar le gayi, kar gayi neend haraam (Pahãrhi/ Taal Keherwã)	Chandramukhi	S.N. Tripathi	Bhara Vyas	Mukesh
Kã-sé kahooñ man ki baat, bairi balam-wã dukhiyã kar gayé (Raag Kafi/ Teen Taal) , Keherwã)	Dhool Ka Phool (1959)	N Dutta	Sahir Ludhianvi	Sudha Malhotra
Banvãri ré jeene ka sahara tera naam re (Raag Pîloo/ Taal Keherwã)	Ek Phool Char Kante	Shankar Jaikishan	Lata Mangeshkar	Hasrat Jaipuri
Mori chham chham bãjé payeliya, aaj miley hain mohé sãñwariya (Raag Bhairavi/ Taal Keherwã)	Ghunghat	Ravi	Shakeel Badayuni	Lata Mangeshkar
Beqasi had se jab guzar jãyé, koi ai dil jiyé ki mar jayé (Raag Dés/ Taal Dãdrã)	Kalpana	O P Nayyar	Jan Nisaar Akhtar	Asha Bhosle
Too hai mera prem devatã (Namaskar Mahadév ko) (Raag Lalit/ Teen Taal)	Kalpana	O P Nayyar	Qamar Jalalabadi	Mohammed Rafi, Manna Dey
Chaleinge teer jab dil par to armanoñ ka kya hoga? (Dil ka afsana) (Raag Bihãg/ Taal Keherwã)	Kohinoor	Naushad	Shakeel Badayuni	Lata Mangeshkar, Mohammed Rafi
Dhal chuki shãm-e-gham, muskura lé sanam {Raag Khamãj/ Punjabi Theka (Sitarkhãni)}	Kohinoor	Naushad	Shakeel Badayuni	Mohammed Rafi
Madhuban meiñ Radhika naachi ré (Raag Hameer/ Teen Taal)	Kohinoor	Naushad	Shakeel Badayuni	Mohammed Rafi
Tan rang lo ji aaj mann rang lo khelo khelo umang bhare rang (Raag Mégh Malhãr/ Taal Keherwã)	Kohinoor	Naushad	Shakeel Badayuni	Mohammed Rafi, Lata Mangeshkar
Kaise kate rajani, ab sajani Naina moré daras ké pyaase Aa jaa tu (Raag Bageshri/ Teen Taal)	Kshudito Pashan (Bengali film/ Hindi song)	Ali Akbar Khan (Sarod: Ustad Ali Akbar Khan, Sitar: Nikhil Bandyopadhyay )	Traditional	Aamir Khan, Pratima Banerjee
Lagta nahin hai dil méra ujrhe dayãr meiñ (Raag Kalyãn) ChandraKantha.com points out: ‘No tal, it is an alap.’	Laal Qilla	S.N. Tripathi	Bahadur Shah ‘Zafar’	Mohammed Rafi
Prem jogan ban ké (Raag Sohini/ Taal Dipchandi)	Mughal é Azam	Naushad	Shakeel Badayuni	Ustad Bade Ghulam Ali Khan
Shubh din aayo, raj- dulara (Raag Rageshree/ Teen Taal)	Mughal é Azam	Naushad	Shakeel Badayuni	Ustad Bade Ghulam Ali Khan
Yeh dil ki lagi kam kya hogi…Jab raat hai aisi matwãli to subah ka (Raag Jaijaivanti/ Taal Dãdrã)	Mughal é Azam	Naushad	Shakeel Badayuni	Lata Mangeshkar
aTak aTak jhaTpaT; aré ja re haT naTkhaT; aaya Holi ka tyohãr (Pahãrhi/ Taal Dãdrã Hinch)	Navrang (1959)	Chitalkar Ramchandra	Bharat Vyas	Asha Bhosle, Chitalkar, Mahendra Kapoor
Dil sé dil mila lé (Raag Khammãj/ Taal Dãdrã)	Navrang (1959)	C. Ramachandra	Bharat Vyas	Asha Bhosle

Binaca Geet Mala 1960: greatest hits

Contents

The 105 most popular/ significant Hindi-Urdu songs of 1960

Two notes on the credits

History

The ‘next rung’

Na Zafar kay qalam ki ijaad hoon, na Bharat Vyas ka shaoor hoon

Raags in songs

A special raag

Binaca Geetmala’s Top 32 songs of 1960

The next 49 songs

See also

For lists of popular songs

For lists of popular Hindi-Urdu films

For raags and taals

Personal tools

Namespaces

Variants

Views

Actions

Search

Navigation

Toolbox

Translate