http://indpaedia.com/ind/index.php?title=Special:RecentChanges&feed=atomIndpaedia - Recent changes [en-gb]2024-03-18T21:13:53ZTrack the most recent changes to the wiki in this feed.MediaWiki 1.19.2http://indpaedia.com/ind/index.php?title=Political_parties%27_funding_and_finances:_India&diff=130456&oldid=130043Political parties' funding and finances: India2024-03-18T20:52:36Z<p><span dir="auto"><span class="autocomment">Electoral bonds: </span> </span></p>
<a href="http://indpaedia.com/ind/index.php?title=Political_parties%27_funding_and_finances:_India&diff=130456&oldid=130043">Show changes</a>Pdewanhttp://indpaedia.com/ind/index.php?title=Electoral_bonds:_India&diff=130455&oldid=130182Electoral bonds: India2024-03-18T20:51:50Z<p></p>
<a href="http://indpaedia.com/ind/index.php?title=Electoral_bonds:_India&diff=130455&oldid=130182">Show changes</a>Pdewanhttp://indpaedia.com/ind/index.php?title=Athletics,_India:_National_marks&diff=130454&oldid=128995Athletics, India: National marks2024-03-18T20:20:57Z<p><span dir="auto"><span class="autocomment">Men: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=10,000m=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=10,000m=</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==Men==</ins></div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Extracted from [https://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2018%2F06%2F13&entity=Ar03318&sk=AC504134&mode=text  Murali 2nd fastest Indian in 10,000m, June 13, 2018: ''The Times of India'']</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Extracted<ins class="diffchange diffchange-inline">, inter alia, </ins>from [https://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2018%2F06%2F13&entity=Ar03318&sk=AC504134&mode=text  Murali 2nd fastest Indian in 10,000m, June 13, 2018: ''The Times of India'']</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>28:02.89s:  Surendra Singh  </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">27.41.81  Gulveer Singh, 2024:  in his heat at The Ten in San Juan Capistrano in California. </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>28:02.89s:  Surendra Singh<ins class="diffchange diffchange-inline">, 2008. This record stood unbeaten for 16 years </ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>28:43.34 seconds Gavit Murali Kumar. Surendra Singh has run faster than Gavit Murali Kumar’s best on four occasions</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>28:43.34 seconds Gavit Murali Kumar. Surendra Singh has run faster than Gavit Murali Kumar’s best on four occasions</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Half marathon (21. 0975km)=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Half marathon (21. 0975km)=</div></td></tr>
</table>Pdewanhttp://indpaedia.com/ind/index.php?title=Mahatma_Gandhi:_ideology&diff=130452&oldid=124908Mahatma Gandhi: ideology2024-03-18T19:13:57Z<p><span dir="auto"><span class="autocomment">Thus spake Gandhi: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Gandhi demonstrated that we can force change and justice through moral acts of aggression instead of physical acts of aggression. Never has our species needed this wisdom more —STEVE JOBS on his choice of Gandhi as the person of the century</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Gandhi demonstrated that we can force change and justice through moral acts of aggression instead of physical acts of aggression. Never has our species needed this wisdom more —STEVE JOBS on his choice of Gandhi as the person of the century</div></td></tr>
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</table>Pdewanhttp://indpaedia.com/ind/index.php/File:Premalu.pngFile:Premalu.png2024-03-18T19:07:31Z<p><a href="/ind/index.php/User:Pdewan" title="User:Pdewan" class="mw-userlink">Pdewan</a> uploaded "<a href="/ind/index.php/File:Premalu.png" title="File:Premalu.png">File:Premalu.png</a>"</p>
Pdewanhttp://indpaedia.com/ind/index.php?title=Box_office_records_of_Malayalam_films&diff=130450&oldid=130417Box office records of Malayalam films2024-03-18T19:03:18Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[File:  Manjummel Boys.png| Manjummel Boys (2024) |frame|500px]]  </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[File:  Manjummel Boys.png| <ins class="diffchange diffchange-inline">'''</ins>Manjummel Boys<ins class="diffchange diffchange-inline">''' (2024) |frame|500px]] </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[[File:  Premalu.png| '''Premalu ''' </ins>(2024) |frame|500px]]  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[File: pulimurugan1.jpg| ''Pulimurugan '' (2016): was for seven years the highest-grossing film in the history of Malayalam cinema, even in absolute terms, without accounting for inflation|frame|500px]]  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[File: pulimurugan1.jpg| ''Pulimurugan '' (2016): was for seven years the highest-grossing film in the history of Malayalam cinema, even in absolute terms, without accounting for inflation|frame|500px]]  </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFF]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFF]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Cinema-TV-Pop|M BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX O</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:India|MBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OF</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFF</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">]]</ins></div></td></tr>
</table>Pdewanhttp://indpaedia.com/ind/index.php?title=Ahmednagar&diff=130449&oldid=23172Ahmednagar2024-03-17T18:48:19Z<p></p>
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<td colspan='2' style="background-color: white; color:black;">Revision as of 18:48, 17 March 2024</td>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">=A 1908 mention=</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>{| class="wikitable"</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>{| class="wikitable"</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>|-</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>|-</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>This <del class="diffchange diffchange-inline">article </del>has been extracted from <br/></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>This <ins class="diffchange diffchange-inline">entry </ins>has been extracted from <br/></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>THE IMPERIAL GAZETTEER OF INDIA , 1908.<br/></div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>THE IMPERIAL GAZETTEER OF INDIA , 1908.<br/></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>|}  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>|}  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[[Category:India|A]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[[Category:Places|A]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>''Note: National, provincial and district boundaries have changed considerably since 1908. Typically, old states, ‘divisions’ and districts have been broken into smaller units, units, and many tahsils upgraded to districts.Many units have since been renamed. Therefore, this article is being posted mainly for its historical value. ''</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>''Note: National, provincial and district boundaries have changed considerably since 1908. Typically, old states, ‘divisions’ and districts have been broken into smaller units, units, and many tahsils upgraded to districts.Many units have since been renamed. Therefore, this article is being posted mainly for its historical value. ''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>=Ahmednagar=</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">=</ins>=Ahmednagar<ins class="diffchange diffchange-inline">, 1908=</ins>=</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>District taluka, and city, in Bombay. See</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>District taluka, and city, in Bombay. See</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:India|A</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">AHMEDNAGAR]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Places|A</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">AHMEDNAGAR]]</ins></div></td></tr>
</table>Pdewanhttp://indpaedia.com/ind/index.php?title=Municipal_Corporation_of_Delhi&diff=130448&oldid=124068Municipal Corporation of Delhi2024-03-17T18:25:48Z<p><span dir="auto"><span class="autocomment">A backgrounder: </span> </span></p>
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<td colspan='2' style="background-color: white; color:black;">Revision as of 18:25, 17 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=A backgrounder=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=A backgrounder=</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==As in 2022==</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[File: Municipal Corporation of Delhi, a brief introduction.jpg|Municipal Corporation of Delhi, a brief introduction <br/> From: [https://epaper.timesgroup.com/article-share?article=08_12_2022_004_006_cap_TOI  Dec 8, 2022: ''The Times of India'']|frame|500px]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[File: Municipal Corporation of Delhi, a brief introduction.jpg|Municipal Corporation of Delhi, a brief introduction <br/> From: [https://epaper.timesgroup.com/article-share?article=08_12_2022_004_006_cap_TOI  Dec 8, 2022: ''The Times of India'']|frame|500px]]</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'' Municipal Corporation of Delhi, a brief introduction ''</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'' Municipal Corporation of Delhi, a brief introduction ''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Government|B MUNICIPAL CORPORATION OF DELHI</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">MUNICIPAL CORPORATION OF DELHI]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:India|B MUNICIPAL CORPORATION OF DELHI</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">MUNICIPAL CORPORATION OF DELHI]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Pages with broken file links|MUNICIPAL CORPORATION OF DELHI</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">MUNICIPAL CORPORATION OF DELHI]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Places|B MUNICIPAL CORPORATION OF DELHI</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">MUNICIPAL CORPORATION OF DELHI]]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Administrative structure=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Administrative structure=</div></td></tr>
</table>Pdewanhttp://indpaedia.com/ind/index.php?title=European_Union_and_India&diff=130447&oldid=130403European Union and India2024-03-16T23:53:35Z<p><span dir="auto"><span class="autocomment">Free trade agreement: </span> </span></p>
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<td colspan='2' style="background-color: white; color:black;">Revision as of 23:53, 16 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>EUROPEAN UNION AND INDIA]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>EUROPEAN UNION AND INDIA]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>=Free <del class="diffchange diffchange-inline">trade agreement</del>=</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>=Free <ins class="diffchange diffchange-inline">Trade Agreement</ins>=</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==2013-18: differences, rather than negotiations==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==2013-18: differences, rather than negotiations==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2018%2F07%2F19&entity=Ar01011&sk=69AE902B&mode=text  Indrani Bagchi, July 19, 2018: ''The Times of India'']</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2018%2F07%2F19&entity=Ar01011&sk=69AE902B&mode=text  Indrani Bagchi, July 19, 2018: ''The Times of India'']</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>The UK has the lion’s share of India-EU trade and investment, and all signs appear to show that the UK is keen on working out a trade deal with India</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>The UK has the lion’s share of India-EU trade and investment, and all signs appear to show that the UK is keen on working out a trade deal with India</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==2024: FTA signed with 4 nations==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=11_03_2024_001_014_cap_TOI  March 11. 2024: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Euro bloc’s trade pact set to cut rates of watches to wine '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">New Delhi: Swiss chocolates, watches, wine and soft drinks, Norwegian salmon & mackerel are among a host of items set to get cheaper after India and European Free Trade Association members — Switzerland, Norway, Iceland and Liechtenstein —signed a trade treaty Sunday. Cut and polished diamonds will see customs duty cuts.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' India-EFTA deal: In a first, govt agrees to include sustainability ''' </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">While cut and polished diamonds are on the list of products that will see customs duty cuts, there will be no concessions from India on gold and major farm and dairy products. In return, companies from these countries will invest $100 billion in India over 15 years, billed as a first in trade deals, with India having the option to reverse the tariff cuts in case the amount is significantly lower than the promised level. The investment is expected to result in creation of around a million jobs with the European companies seen to be using India as a base to export to other parts of the world.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> In another first, govt also agreed to a sustainability chapter, which includes aspects such as labour, human rights, environment and gender, hitherto no-go areas for New Delhi. An EFTA official said there were no penal provisions under the agreement, unlike the agreements that EU signs, and India is already a signatory to the agreements mentioned in the chapter. “It marks India’s first modern FTA with the first set of European nations... It is the culmination of nearly 16 years of negotiations. The last nine to 10 months have seen very intense negotiations to complete a balanced and equitable free trade agreement that factors the sensitivities of all countries. India stands to benefit in terms of investment, innovation and R&D,” commerce and industry minister Piyush Goyal told reporters.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> As part of the trade and economic partnership agre- ement, which will kick in after a few months, countries such as Switzerland have offered to open up over 120 of 156 services, including audit and accounting, legal, IT and healthcare for Indian companies, with easier visa rules allowed for workers and professionals from the country.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Besides, there are provisions for mutual recognition agreements for nursing, chartered accountants and architects, allowing Indian and EFTA qualifications to be recognised by each other. An official said govt has stuck to the FDI cap for sectors under the services chapter. Given India’s concerns on patents, especially for medicines, the EFTA members agreed not to press for additional commitments on intellectual property rights that go beyond obligations at WTO.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> As part of the agreement, India will offer duty cuts on 82.7% of its products, covering 95.3% of EFTA exports of which more than 80% is gold. The four members of the trading bloc are offering 92.2% products, covering 99.6% of India’s exports, which were estimated at $1.9 billion last year. Because of high gold imports, estimated at $12.6 billion last fiscal, India had a trade deficit of almost $15 billion on imports of $16.7 billion. Within the bloc, Switzerland accounts for nearly 90% of the trade with India.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Govt is seeing EFTA nations as a base for its companies to provide services to other EU markets, while investments from companies from the four-nation bloc are likely to help India emerge as a production hub.</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=YEAR-WISE DEVELOPMENTS=   </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=YEAR-WISE DEVELOPMENTS=   </div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php?title=Badminton:_India&diff=130446&oldid=130436Badminton: India2024-03-16T23:51:59Z<p><span dir="auto"><span class="autocomment">Satwik-Chirag make semis; Sindhu exits: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Like in the second game, Sindhu conceded five consecutive points which allowed Yu Fei to move from 11-12 to 16-12. Though Sindhu managed to reduce the gap to 15-16, the latter upped the ante with a couple of smash winners. In the semifinals, Yu Fei will play Akane Yamaguchi of Japan. From the top-half of the draw, South Korea’s An Se Young and Chinese Taipei’s Tai Tzu Ying made it to the last four stage.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Like in the second game, Sindhu conceded five consecutive points which allowed Yu Fei to move from 11-12 to 16-12. Though Sindhu managed to reduce the gap to 15-16, the latter upped the ante with a couple of smash winners. In the semifinals, Yu Fei will play Akane Yamaguchi of Japan. From the top-half of the draw, South Korea’s An Se Young and Chinese Taipei’s Tai Tzu Ying made it to the last four stage.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">===Satvik- Chirag win doubles title a second time===</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=11_03_2024_024_009_cap_TOI  Manne Ratnakar, March 11, 2024: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">A dominant Satwiksairaj Rankireddy and Chirag Shetty won their first title of the year with a 21-11, 21-17 victory against Lee Jhe-Huei and Yang Po-Hsuan in the final of the French Open BWF Super-750 tournament in Paris. They won the French Open in 2022 but lost in the second round last year. Though they made it to the finals of the all the three tournaments they played this year, this the their first title. They lost in the finals of the Malaysian Open and Indian Open tournaments.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> The Indians were so dominant on Sunday that they took just 36 minutes to oust their rivals and this was the shortest final of the day. Satwik-Chirag did not lose a single game in the entire tournament.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> With renewed vigour they will now compete in the All England Championships from Tuesday. The unseeded Taipei pair proved no match for the Indians as they broke free from 4-4 in the first game to wrap it up at 21-11. Though Lee and Yang did well in the second, it was only till the 14th point.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The Indians won seven of the next ten points. If it was Satwik’s smash that won the first game, Chirag full-blooded drive secured the match winning point for the Indian pair. Late on Saturday, Lakshya Sen suffered a three-game loss against world champion Kunlavut Vitidsarn of Thailand 22-20, 13-21, 11-21. On Sunday, Kunlavut lost to China’s Shi Yu Qi 20-22, 21-19 in the men’s singles final.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Top seed An Se Young of South Korea fought back after losing the first game to beat fourth seed Akane Yamaguchi of Japan 18-21, 21-13, 21-10 in the women’s singles final. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Chinese shuttlers won three of the five titles on Sunday. Shi Yu Qi triumphed in men’s singles, Chen Qing Chen and Jia Yi Fan pocketed women’s doubles title and Feng Yan Zhe and Huang Dong Ping bagged the mixed doubles crown.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> In women’s doubles, top seeds Chen and Jia pulled off a thrilling victory against Japanese sixth seeds Nami Matsuyama and Chiharu Shida 21-12, 19-21, 24-22. Feng and Huang defeated Korean pair of Seo Seung Jae and Chae Yu Jung 21-16, 21-16 in the mixed doubles summit clash.</ins></div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php?title=Amar_Singh_Chamkila&diff=130445&oldid=126484Amar Singh Chamkila2024-03-16T23:49:54Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=A brief biography=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=A brief biography=</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Many films were made on Chamkila’s life including Mehsampur (2018) by Kabir Singh Chowdhry and the recent film titled Jodi, starring Dosanjh and Nirmal Khaira. A book titled Awaaz Nahi Mardi by Punjabi writer Gulzar Singh Shaunki was also released in 2014.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Many films were made on Chamkila’s life including Mehsampur (2018) by Kabir Singh Chowdhry and the recent film titled Jodi, starring Dosanjh and Nirmal Khaira. A book titled Awaaz Nahi Mardi by Punjabi writer Gulzar Singh Shaunki was also released in 2014.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">=His songs of resistance=</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://indianexpress.com/article/opinion/columns/chamkila-and-songs-of-resistance-in-punjab-9205360/  Manraj Grewal Sharma, March 10, 2024: ''The Indian Express'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'' Amar Singh Chamkila, arguably the first superstar of Punjabi pop — it’s said he was booked for over 400 programmes in a year — was shot dead by militants along with his wife and co-singer Amarjot Kaur at Mehsampur near Jalandhar in March 1988. ''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Mention Imtiaz Ali’s forthcoming film Chamkila and chances are that you think of Diljit Dosanjh, the singer-actor who is the hero of this film.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">But in Punjab, the name Chamkila is a sobering reminder of a dark decade. It transports you to 1988, a year marked by the ominous reign of militants in the state.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Amar Singh Chamkila, arguably the first superstar of Punjabi pop — it’s said he was booked for over 400 programmes in a year — was shot dead by militants along with his wife and co-singer Amarjot Kaur at Mehsampur near Jalandhar in March 1988. He was all of 27.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Those weren’t good times for poets, writers, singers and dreamers. Prof Jagrup Sekhon, co-author of Terrorism in Punjab: Understanding Grassroots Reality, recounts how, in April 1987, militants had laid down a 13-point code called Samaj Sudhar Lehar, putting down rules for how people should dress, interact and even marry. The boisterous Punjabi baraat was reduced to just 11 people and lehenga was a no-no for brides who were told to stick to salwar-kameez.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The year 1988 began on a bloody note with the killing of Jaimal Singh Padda, 45, a Naxal poet, singer and peasant leader. Paramjit Judge, author of Religion, Identity and Nationhood: The Sikh Militant Movement, remembers interviewing Padda in 1981 for his thesis on Naxals. “He was a simple man who lived an austere life in two rooms.”</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Padda’s work inspired filmmaker Anand Patwardhan to make a documentary on Punjab Communists with the title borrowed from a popular Padda song, “Ona Mitran Di Yaad Pyaari” (In sweet memory of those comrades).</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Padda, who coined the slogan “Na Hindu raj, na Khalistan, raj karega mazdoor kisan (No Hindu state, no Khalistan — it’s the working class that will rule)”, was gunned down by militants of the Khalistan Commando Force (KCF) outside his house in Lakhan Ka Padda village near Kapurthala on March 18, 1988.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Five days later, militants shot down Pash, 37, one of the most celebrated Punjabi poets. Born Avtar Singh Sandhu to an Army officer, Major Sohan Singh, Pash began writing poetry at the age of 15. Greatly influenced by the Naxal movement and Bhagat Singh, he was 18 when he published his first book of revolutionary poems, Loh-Katha (Iron Tale), in 1970.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The state, in a bid to silence him, arrested him on trumped up charges of murder, of which he was acquitted after two years in prison.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Prof Chaman Lal, who translated Loh Katha into Hindi — he won a Sahit Akademi award for it — says Pash openly raised his voice against militants. Working as a schoolteacher in a village next to his native Talwandi Salem near Nakodar, Pash started publishing a wallpaper called Deewar in which he would quote verses from Sikh gurus to show how the movement was antithetical to the principles of Sikhism. Warned by friends and family about the imminent threat from militants, he moved to the US in 1986, where he continued penning the wallpaper and pamphlets decrying militancy.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">In 1988, he had returned to India to get his visa renewed when he was shot dead at the village well on March 23, the death anniversary of Bhagat Singh. He was to leave for the US the next day. “Death couldn’t silence Pash; his influence has only grown, and he is one of the most translated poets of India,” says Chaman Lal.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Despite the diktat of militants, Chamkila’s popularity continued to grow. Prof Judge, who is penning a book on Punjabi singers, says Chamkila, a Ramdasiya who wrote his songs himself, used to sing on three subjects — the valour of Sikh gurus, the plight of the poor, and illegitimate relations. “He was just holding a mirror to society when he sang about the male gaze or desire but he was called a ‘lecherous’ singer. Militants had given a diktat against what they called ‘vulgar’ songs and most singers complied.”</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">It was a chilly day in March when Chamkila and Amarjot were killed in a hail of bullets at Mehsampur village near Jalandhar. “There are many theories about his death, one is that he was killed for marrying a Jat woman despite being a Dalit, another was that he was eliminated by other Punjabi singers who were jealous of his popularity. But the predominant theory was that the couple fell to militants. Those days, it was easy to blame any killing on militants,” says Judge.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Another killing that rocked the entertainment world was that of Veerendar Singh, the superstar of Punjabi cinema and a cousin of popular Bollywood star Dharmendra. The 40-year-old was shot dead while he was filming Jatt te Zameen in Ludhiana in December 1988. His death remains shrouded in mystery but back then, militants were blamed.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Chaman Lal, who was then teaching Hindi at Punjabi University, Patiala, says such was the fear of the gun that diktats by militants were followed even by eminent vice-chancellors. At Punjabi University, all notice boards were painted saffron and press releases by militants were posted prominently. But clearly not satisfied, the militants shot down Dr Ravinder Ravi, a well-known Punjabi author and president of the university teachers’ association, at his home in May 1989. An open critic of violence, Ravi was the first PhD scholar of the varsity.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The targeting of writers and scholars had begun much earlier, though. It was in February 1984 that Sumeet Singh aka Shammi, 30, the editor of Preetlari, a highly respected left-of-centre literary journal which preached Hindu-Sikh unity, was shot dead by militants.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Madan Lal Didi, his father-in-law and general secretary of the Punjab unit of the All India Trade Union Congress (AITUC), later said that Shammi had paid the price for his boldness in criticising the terrorists despite repeated threats.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">But these killing failed to silence the voices of peace and sanity. Poets, writers and playwrights continued to pen their agony, targeting both the militants and the state repression that followed.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">As Manjit Tiwana, a Sahitya Akademi award winner, wrote:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">What times are these, </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Sitting on the threshold of it,</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> We ask the whereabouts of our home.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Cinema-TV-Pop|C </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">AMAR SINGH CHAMKILA]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:India|C </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">AMAR SINGH CHAMKILA]]</ins></div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php/File:Assagao_village.jpgFile:Assagao village.jpg2024-03-16T23:46:32Z<p><a href="/ind/index.php?title=User:Jyoti&action=edit&redlink=1" class="new mw-userlink" title="User:Jyoti (page does not exist)">Jyoti</a> uploaded "<a href="/ind/index.php/File:Assagao_village.jpg" title="File:Assagao village.jpg">File:Assagao village.jpg</a>"</p>
Jyotihttp://indpaedia.com/ind/index.php?title=Assagao&diff=130443&oldid=0Assagao2024-03-16T23:46:20Z<p>Created page with "{| class="wikitable" |- |colspan="0"|<div style="font-size:100%"> This is a collection of articles archived for the excellence of their content.<br/> Additional information ma..."</p>
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[[Category:India |A ]]<br />
[[Category:Places |A ]]<br />
[[Category:Cuisine |A ]]<br />
<br />
=Restaurants, food outlets=<br />
==As in 2024==<br />
[https://epaper.indiatimes.com/article-share?article=10_03_2024_020_022_cap_TOI Newton Sequeira, March 10, 2024: ''The Times of India'']<br />
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[[File: Assagao village.jpg|Assagao village was set up by Saraswat Brahmins, but 450 years of Portuguese rule has left it with their architectural imprint. The high point of this influence is the 250-year-old church of St Cajetan. The village’s restaurants have been set up in the old villas and mansions without significant alteration, so guests get a strong heritage vibe. But the food is truly global. A multitude of cuisines and the presence of chefs from around the world make gastronomic trips to Assagao memorable <br/> From: [https://epaper.indiatimes.com/article-share?article=10_03_2024_020_022_cap_TOI Newton Sequeira, March 10, 2024: ''The Times of India'']|frame|500px]]<br />
<br />
In 1985, when Goa’s tourism industry was not the sumptuous platter it is now, the Fonsecas of Assagao decided to open Astoria, the village’s first restaurant. For 25 years it was the only eatery at Assagao, but now there are close to 200 establishments, many of which have earned the ‘gourmet’ cachet.<br />
<br />
“Back in the day my family would go to a restaurant called O’Coqueiro at Porvorim for celebrations because that was the only option and the owner at the time was also from Assagao,” said Clayton Fonseca, whose parents set up Astoria. <br />
<br />
''' Draw For Celeb Chefs '''<br />
<br />
Over the years, Astoria has grown into a hotel and the sedate village has developed into an idyll for the well-heeled. Some of India’s best chefs have made their way to Assagao and put their secrets on the menu.<br />
<br />
Hidden in the valley, between Anjuna’s nightlife and Mapusa’s chaotic roads, Assagao underwent a bohemian change in the early 2000s. It’s earned evocative names like ‘Beverly Hills’ and ‘Tuscany’ of Goa. At one stage, so many of Delhi’s rich came to Assagao that people started calling it ‘South Extension’s Outpost’. The village’s high-end restaurants, boutiques and wellness centres are a match for Delhi’s finest. <br />
“Assagao was the closest residential area near Anjuna and Vagator. So, people started getting homes and it became the most celebrated address to buy a house and open a restaurant,” said Akshay Quenim, Goa co-chapter head of National Restaurant Association of India. He added, “A lot of restaurants have opened in old Portuguese homes. Nine out of ten restaurants in Assagao are in homes and not in concrete structures.” <br />
<br />
Former journalist Satish Warier was in the vanguard of Assagao’s transformation. He shut down his restaurant in Delhi’s Hauz Khas Village and opened Gunpowder at Assagao. His South Indian fare spanning spicy Andhra prawns, prawn mappas and appams has cultivated a devoted following. <br />
<br />
''' Tonic Dose After Covid '''<br />
<br />
“I don’t have a definitive answer to why Assagao took off,” said chef Amninder Sandhu, cofounder of Bawri. “Gunpowder got traction for the village years ago. The credit goes to the restaurants that opened there many years ago and offered great food consistently to induce people to return.”<br />
<br />
The Covid-19 pandemic injected a creative defiance into many renowned chefs and restaurateurs who picked Assagao as their site for a bounceback. “Everybody wants to be at Assagao because the clientele that spends money and wants to experience a range of cuisines is coming to the village,” said Amey Naik, a seasoned restaurateur who opened Avo’s Kitchen at Assagao during the pandemic. <br />
<br />
''' Low Risk, Quick Returns '''<br />
<br />
Aside from its advantageous location, there is an important business logic attached to Assagao. “Everybody wants to put their money where the risk is a lot less and the returns are quicker. Considering the footfall all around Assagao, people are investing here,” Quenim said. “Assagao has just two streets and on them you have a restaurant every 50-100 metres.”<br />
<br />
No wonder, over the past five years, close to 500 food licences have been issued along this belt. While the average time to break even is 3-5 years, few restaurants survive beyond 2 years. This means about 200 eateries are operational today.<br />
For travellers, trying a new dish is always on the bucket list. For restaurateurs looking for a springboard, there is no better place than the melting pot of Assagao. <br />
<br />
''' Test Lab For Bright Ideas '''<br />
<br />
“You get a mixed crowd here which gives honest feedback. You then decide where to expand, or consider if you can replicate the success in metros,” Naik said. “Overheads are lower in Goa. The restaurants that succeed use their learnings to expand in other states where they get most of their footfall.”<br />
<br />
The Goa experience provided heft to Sandhu’s effort to open an outlet of Bawri in Mumbai’s Bandra Kurla Complex. <br />
<br />
It appears, therefore, that Assagao’s restaurants and their patrons together feed a business cycle.<br />
<br />
===A HELPING OF HISTORY===<br />
<br />
➤Assagao is quite a ‘heritage village’ with its 18th-century St Cajetan church, old colonial villas on leafy streets, and ‘therapeutic’ springs<br />
<br />
➤Saraswat Brahmins were its early inhabitants. Later, like all of Goa, Assagao was held by the Portuguese and their influence is evident in its architecture <br />
<br />
➤ The comunidade (association of land holders) of Assagao gave vast lands for educational institutions, making it a centre of learning. It has two colleges, two secondary schools, one higher secondary school, two government primary schools, and two private primary schools <br />
<br />
➤Millets, beans, vegetables and flowers grow well here. ‘abolim’ (crossandra) and ‘zayeo’ (jasmine) are the preferred varieties of flowers <br />
<br />
➤Over the past decade, Assagao has become a hub for creative businesses, designer boutiques, upscale resorts, restaurants and yoga centres, many of which are run from old homes</div>Jyotihttp://indpaedia.com/ind/index.php?title=England_vs._India,_cricket&diff=130442&oldid=130440England vs. India, cricket2024-03-16T23:40:14Z<p><span dir="auto"><span class="autocomment">5th Test, Dharamshala: India wins match, series 4-1: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Kuldeep got Ben Stokes cheaply too, the England captain beaten both in the air and off the pitch, his fate sealed by a short forward stride. Set a target of 192, India will take heart from the fact that Rohit Sharma and Yashasvi Jaisal have safely navigated the remaining 8 overs at a steady clip.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Kuldeep got Ben Stokes cheaply too, the England captain beaten both in the air and off the pitch, his fate sealed by a short forward stride. Set a target of 192, India will take heart from the fact that Rohit Sharma and Yashasvi Jaisal have safely navigated the remaining 8 overs at a steady clip.</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>===5th Test, Dharamshala<del class="diffchange diffchange-inline">: </del>India wins match, series 4-1===</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>===<ins class="diffchange diffchange-inline">E: </ins>5th Test, Dharamshala<ins class="diffchange diffchange-inline">, </ins>India wins match, series 4-1===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://epaper.indiatimes.com/article-share?article=10_03_2024_027_018_cap_TOI  Partha Bhaduri, March 10, 2024: ''The Times of India'']</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://epaper.indiatimes.com/article-share?article=10_03_2024_027_018_cap_TOI  Partha Bhaduri, March 10, 2024: ''The Times of India'']</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>This series has been closer than the scoreline suggests but here in Dharamshala, it was a rout. Having been out-batted and out-bowled over the first two days, England looked like they were simply fulfilling a contractual obligation on the third. They fell face down.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>This series has been closer than the scoreline suggests but here in Dharamshala, it was a rout. Having been out-batted and out-bowled over the first two days, England looked like they were simply fulfilling a contractual obligation on the third. They fell face down.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Cricket|EENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, CRICKETENGLAND VS. INDIA, C</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===The Test series: highlights===</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===The Test series: highlights===</div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php/File:Scoreboard,_5th_Test,_Dharamshala,_England_vs._India,_2024.jpgFile:Scoreboard, 5th Test, Dharamshala, England vs. India, 2024.jpg2024-03-16T23:39:53Z<p><a href="/ind/index.php?title=User:Jyoti&action=edit&redlink=1" class="new mw-userlink" title="User:Jyoti (page does not exist)">Jyoti</a> uploaded "<a href="/ind/index.php/File:Scoreboard,_5th_Test,_Dharamshala,_England_vs._India,_2024.jpg" title="File:Scoreboard, 5th Test, Dharamshala, England vs. India, 2024.jpg">File:Scoreboard, 5th Test, Dharamshala, England vs. India, 2024.jpg</a>"</p>
Jyotihttp://indpaedia.com/ind/index.php?title=England_vs._India,_cricket&diff=130440&oldid=130395England vs. India, cricket2024-03-16T23:39:23Z<p><span dir="auto"><span class="autocomment">The Test series: highlights: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Kuldeep got Ben Stokes cheaply too, the England captain beaten both in the air and off the pitch, his fate sealed by a short forward stride. Set a target of 192, India will take heart from the fact that Rohit Sharma and Yashasvi Jaisal have safely navigated the remaining 8 overs at a steady clip.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Kuldeep got Ben Stokes cheaply too, the England captain beaten both in the air and off the pitch, his fate sealed by a short forward stride. Set a target of 192, India will take heart from the fact that Rohit Sharma and Yashasvi Jaisal have safely navigated the remaining 8 overs at a steady clip.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">===5th Test, Dharamshala: India wins match, series 4-1===</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=10_03_2024_027_018_cap_TOI  Partha Bhaduri, March 10, 2024: ''The Times of India'']</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Dharamshala: “And I’m free, free fallin’.” As Tom Petty’s distinctive voice echoed beneath the mountains, England did some domino dancing of their own out in the middle. They came having already lost the series. Within three days, they lost their bearings too.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> On Saturday morning, India had added only four more runs to their kitty before folding up. James Anderson had foxed Kuldeep Yadav for his milestone 700th wicket. There was back-slapping and celebration and good cheer. It was history in the making. Already spirits seemed high in the English camp.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> They were still a mammoth 259 runs behind but the sun was out and time was theirs to kill. A bit of application and a measured approach would have gone a long way, as India had shown on Day Two. This was a dry pitch aiding turn but by no means the minefields of spin they have traversed in these parts in the past. There were runs to be had, if you were inclined that way.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Enter Ravichandran Ashwin, looking to unleash his full bag of tricks in his 100th Test. Ashwin picked up his 36th five-wicket haul (5/77) and put England’s top and middle order through such a searing examination of their defensive skills that even at their sharpest, it would have been a reach to take this match beyond the third day.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> For these England batters, though, old-fashioned resistance is such a drag. Their fancy-pants batters were having none of it. Not for them the hard yards. Nor a keen perusal of the assorted, fizzing deliveries being conjured out of the fingers of India’s spin wizard. No, they would go out in a blaze of glory and not die wondering. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Ashwin had anticipated this. Given the hard new ball by stand-in captain Jasprit Bumrah after Rohit Sharma pulled up with a sore back, Ashwin proceeded to mess with the minds of England’s finest. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Only Joe Root (84 off 128) once again stood out as the one sane man in the bedlam, trusting his defence, playing straight, picking the length. In spite of Root’s defiance, the game was over by lunch, by which time England had lost five wickets for 103 runs. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">India eventually won by an innings and 64 runs within the second session, taking their series tally to 4-1 and finally asserting the kind of dominance they would have been seeking from the start.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> The first Ashwin wicket was a gift, in his very first over. Ben Duckett, unsteady of footing, befuddled by the drift, decided to charge out recklessly at the fifth ball. He hadn’t taken enough time to figure out the conditions or the pitch. He was beaten and bowled.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Sixth over, Ashwin was at it again, this time getting the other opener Zak Crawley, who was tied up in knots for 15 balls, unable to get off the mark, and got suitably fidgety. Wicketkeeper Jurel warned Ashwin that something was about to give. Crawley succumbed to the pressure, playing with the turn straight to Sarfaraz at forward short leg. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Last ball of the eighth over, Ashwin got into Ollie Pope’s head, the sharp turn beating everything, even the stumps, and running away for byes. The bowler’s next over, second ball, Pope unleashed the big release shot, the sweep. Except Ashwin already knew he would. The ball went on straight with the arm, the over spin and extra bounce taking the top edge of the bat to square leg. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Undeterred, Bairstow — the second 100th Test hero — came out buzzing, all adrenaline, ready for a scrap. The Indian fielders kept chirping around him. He decided to hit India’s best spinner out of the park and even succeeded for a while. Bairstow talked in sixes with a Test match to be saved, now smashing Ashwin over long-on, now unleashing the slog sweep. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Exit Ashwin, enter Kuldeep. The change to wrist spin, the change of angle, the sharper turn, it was all too much for Bairstow.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Umpire’s call did the rest. Another cameo, another wasted opportunity. Bairstow even got into a slanging match with the fielders before losing his composure and his wicket. It was the sort of approach which has given ‘Bazball’ a bad name in this series.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> And Ben Stokes, what of him? Ashwin had taken Stokes’s wicket 12 times before this and was promptly brought back for the last over before lunch. First ball to Stokes, and scalp no. 13! The arm ball foxed the England captain, who was playing for turn that wasn’t there. It was a miserable end to a horror tour with the bat for the England captain. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">This series has been closer than the scoreline suggests but here in Dharamshala, it was a rout. Having been out-batted and out-bowled over the first two days, England looked like they were simply fulfilling a contractual obligation on the third. They fell face down.</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===The Test series: highlights===</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===The Test series: highlights===</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> JUREL SHINES TWICE: Dhruv Jurel (90) took India from 177/7 to 307 in 1st innings in Ranchi and hit a crucial 39n.o. in the 2nd</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> JUREL SHINES TWICE: Dhruv Jurel (90) took India from 177/7 to 307 in 1st innings in Ranchi and hit a crucial 39n.o. in the 2nd</div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php?title=Indian_Penal_Code:_Section_153&diff=130439&oldid=0Indian Penal Code: Section 1532024-03-16T23:28:51Z<p>Created page with "{| class="wikitable" |- |colspan="0"|<div style="font-size:100%"> This is a collection of articles archived for the excellence of their content.<br/> Additional information ma..."</p>
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=Section 153A: promoting enmity between different groups =<br />
==Justice Vivian Bose’s 1947 ruling==<br />
[https://indianexpress.com/article/explained/explained-law/sc-fir-whatsapp-1947-ruling-justice-vivian-bose-9204747/ Khadija Khan, March 10, 2024: ''The Indian Express'']<br />
<br />
<br />
''' What was Justice Vivian Bose’s 1947 ruling? '''<br />
<br />
In 1947, a three-judge bench of the Nagpur HC, comprising Justice Vivian Bose, was tasked with deciding whether a particular article in the press, directly or indirectly, tended to bring about hatred or contempt for the government. In doing so, it also examined the offence of sedition under Section 124A of the IPC, which deals with the offence of sedition, and Section 4(1) of the Press (Emergency Powers) Act, 1931.<br />
<br />
Justice Vivian Bose held that the said article didn’t incite or lead to sedition. He also came up with a test, which went on to become the yardstick for such cases to be decided in the future.<br />
<br />
In his judgment, he ruled: “The effect of the words must be judged from the standards of reasonable, strong-minded, firm and courageous men, and not those of weak and vacillating minds, nor of those who scent danger in every hostile point of view”.<br />
<br />
Similarly, in its 1988 ruling in Ramesh v. Union of India, popularly known as the TAMAS case, the top court reiterated this view. It dismissed a PIL to ban the exhibition of the television serial “Tamas” on the ground that it offends or is likely to offend public order and public morality and create public danger.<br />
<br />
In the case against the college professor also, the top court referred to the yardstick laid down by Justice Vivian Bose.<br />
<br />
The court said: “The (Bombay) High Court has held that the possibility of stirring up the emotions of a group of people cannot be ruled out… As held by Vivian Bose, J, the effect of the words used by the appellant on his WhatsApp status will have to be judged from the standards of reasonable women and men. We cannot apply the standards of people with weak and vacillating minds. Our country has been a democratic republic for more than 75 years. The people of our country know the importance of democratic values. Therefore, it is not possible to conclude that the words will promote disharmony or feelings of enmity, hatred or ill-will between different religious groups”.</div>Jyotihttp://indpaedia.com/ind/index.php?title=Divorce:_India&diff=130438&oldid=130352Divorce: India2024-03-16T23:22:05Z<p><span dir="auto"><span class="autocomment">Tormenting and traumatising each other: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Allowing the plea of the husband to end the marriage, a bench of Justices Pradeep Nandrajog and Pratibha Rani pointed out that where “there is evidence that the husband and wife indulged in mutual bickering leading to remonstration... to the stage where they target each other mentally, insistence by one to retain the matrimonial bond would be a relevant factor to decide on the issue of cruelty, for the reason the obvious intention of said spouse would be to continue with the marriage not to enjoy the bliss thereof but to torment and traumatise each other.“</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Allowing the plea of the husband to end the marriage, a bench of Justices Pradeep Nandrajog and Pratibha Rani pointed out that where “there is evidence that the husband and wife indulged in mutual bickering leading to remonstration... to the stage where they target each other mentally, insistence by one to retain the matrimonial bond would be a relevant factor to decide on the issue of cruelty, for the reason the obvious intention of said spouse would be to continue with the marriage not to enjoy the bliss thereof but to torment and traumatise each other.“</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>The HC found enough evidence to conclude there was an ''' “irretrievable breakdown of marriage“ ''' and also found merit in the husband's claim that falsely accusing him of causing death of the foetus amounts to mental cruelty .</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>The HC found enough evidence to conclude there was an ''' “irretrievable breakdown of marriage“ ''' and also found merit in the husband's claim that falsely accusing him of causing death of the foetus amounts to mental cruelty .</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“Evidence establishes that both Sandhya and Manish gave a very serious twist to the unfortunate abortion which Sandhya had. It establishes that both have the propensity to twist facts so as to suit their convenience,“ the bench noted, refusing to prolong the marriage.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“Evidence establishes that both Sandhya and Manish gave a very serious twist to the unfortunate abortion which Sandhya had. It establishes that both have the propensity to twist facts so as to suit their convenience,“ the bench noted, refusing to prolong the marriage.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==Tutoring child against the other parent is cruelty==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=09_03_2024_013_002_cap_TOI  Ashutosh Shukla, March 9, 2024: ''The Times of India'']</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Bhopal/Jabalpur: If a mother tutors a child against his/ her own father, it amounts to cruelty and is a ground for divorce, MP high court said in a recent order, allowing the divorce petition of the husband.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Observing the wife had “crossed all barriers in levelling allegations against the husband and his family”, a bench of justices Sheel Nagu and Vinay Saraf said “cruelty can never be defined with exactitude” and depends on circumstances. “Deserting spouse, not allowing child to meet estranged parent, tutoring child against him and levelling reckless charges against in-laws, amounts to cruelty to husband. The marriage deserves to be dissolved on the ground of cruelty and desertion,” it said.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> The Jabalpur family court, which had dismissed the man’s divorce petition on the ground that he had failed to prove the charge of cruelty against his wife, had not con- sidered this aspect, HC said in its March 1 ruling, setting aside the family court order. </ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==Unsubstantiated allegations count as cruelty==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==Unsubstantiated allegations count as cruelty==</div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php?title=Malayattoor_Kurishumudi&diff=130437&oldid=0Malayattoor Kurishumudi2024-03-16T23:19:20Z<p>Created page with "{| class="wikitable" |- |colspan="0"|<div style="font-size:100%"> This is a collection of articles archived for the excellence of their content.<br/> Additional information ma..."</p>
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=A backgrounder= <br />
==As in 2024==<br />
[https://epaper.indiatimes.com/article-share?article=10_03_2024_020_014_cap_TOI Disney Tom, March 10, 2024: ''The Times of India'']<br />
<br />
As Easter approaches, you can see them in droves, streaming down the roads of central Kerala. Barefeet devotees raising solemn chants, many of them clad in saffron robes. It’s easy to mistake them for pilgrims headed to Sabarimala, but you can’t miss the wooden crosses they carry with themselves or the rosaries in their hands.<br />
<br />
These pilgrims are headed to a hill shrine, though not to the one dedicated to Ayyappan in south Kerala. They are making the trek to Malayattoor Kurishumudi – literally, hill of the cross – located inside the forested Western Ghats. As Lent progresses, thousands of Christians in south India will head to the hilltop shrine on a pilgrimage that can easily be dubbed as the Sabarimala of Christians. <br />
<br />
''' A 2,000-Year-Old Tradition '''<br />
<br />
The faithful believe the Malayattoor hilltop bears the footprints of St Thomas the Apostle, the ‘Doubting Thomas’ of biblical fame. According to the vicar of Malayattoor Church, Fr Varghese Manavalan, the legend goes that St Thomas prayed atop the hill after he arrived here in the first century CE. An apparition of St Mary is said to have appeared before him. “Later, a golden cross became visible where St Thomas had prayed. But when those who’d seen the radiant cross tried to pry it out, blood oozed from the spot,” says Fr Manavalan.<br />
<br />
Kurishumudi now has a golden cross and the hilltop also has footprints and the marks of knees etched into the rock where St Thomas is thought to have prayed. A stream where St Thomas drank is another important spot. “The stream is still here. Later, relics of St Thomas, too, were brought to Malayattoor,” says Fr Manavalan.<br />
<br />
The pilgrimage started in the first century, says Fr Ignatius Payyappilly, archivist and the author of the book ‘Malayattoorum Nazranikalum’. “The apparition of St Mary on the hilltop is what turned the site into a pilgrimage spot,” he says. But he also refers to accounts of some hunters finding the golden cross on the hilltop in sixth century CE. A 16th-century Portuguese document also mentions a hilltop where a cross was seen.<br />
<br />
“This document says thousands go on pilgrimage to the spot, believing that St Thomas’ footprints were found there. Its author, a foreigner, visited the place in 1585,” Fr Payyappilly says, concluding that what must’ve been a trickle between the first and sixth centuries CE slowly turned into a tide of pilgrims after the golden cross was said to have been spotted on the hilltop. <br />
<br />
''' Confluence Of Cultures '''<br />
<br />
Fr Payyappilly does not rule out local influences driving the Malayattoor pilgrimage and says it could have shared roots with the Sabarimala pilgrimage. “St Thomas brought the Christian faith and sowed it here. But the culture is similar since both are part of Dravidian culture.”<br />
<br />
“As the saying goes, especially for Syrian Christians, though Christian by faith, they are Hindu by culture. Christian festivals here have ‘Kodiyettu’ (flag hoisting) just like a Hindu temple festival. ‘Thalikettu’, the Hindu marriage ceremony, is followed among Syrian Christians, too. There are many Syrian Christian traditions that are similar to Hindu traditions. So, these pilgrimages may have similar connections as well,” says Fr Payyappilly.<br />
<br />
He also talks about a possible Buddhist connection. The chant for the Malayattoor pilgrimage, ‘Ponnum Kurishumala Muthappo Ponnmala Kayattam’ (climbing the golden hill to visit the Lord of the golden cross), is linked to Buddhist traditions, Fr Payyappilly says. “Even the word Ponnmala (golden hill) is related to Buddhist traditions,” he says. <br />
<br />
''' Pilgrims’ Progress '''<br />
<br />
The millions of members of the major churches of Kerala – Syro Malabar Church, Jacobite Church, Malankara Orthodox Church, Malankara Mar Thoma Church, Syro Malankara Church – all identify themselves as St Thomas Christians or Malankara Nazranis, descendants of those who were baptised by none other than the disciple of Christ himself. At the Malayattoor shrine, there is a steady footfall throughout the year though the biggest crowds are seen during the Lent pilgrimage.<br />
<br />
Pilgrims adopt an austere routine, abstaining from meat, drinks, and other pleasures. They meditate on the crucifixion of Jesus before starting their trek. Pilgrims carry wooden crosses to the hilltop to mark Christ’s passage to the site of crucifixion. The route also recreates the ‘14 stations’ or stops that lay along Christ’s path. <br />
<br />
Many pilgrims come with huge crosses that they carry together from the base of the hill to its top. The faithful believe that the trek of atonement can provide supernatural relief. Though most travel by cars and buses till Adivaram, the base camp for the trek, there are many who do the entire pilgrimage on foot. <br />
<br />
''' Bags Of Black Pepper '''<br />
<br />
Jose Joseph, a Malayattoor regular, walks more than 65km every year to reach the hill shrine from his church in Vallakom. Blisters on the feet are common for those who choose to walk, he says, adding that “it is a time of atonement... an experience of divine grace”.<br />
<br />
Many pilgrims perform the sacrament of confession after completing the trek. “There are a few priests on the hilltop throughout the day to hear confessions. A mass is held at the hill shrine every morning all through the year and the trek is allowed from 6 am till 4 pm. But during the peak pilgrimage season – March 1 to May 10 – pilgrims keep arriving round the clock. The church festival happens on the Sunday following Easter. Apart from Kerala, there are several pilgrims from Karnataka and Tamil Nadu who prefer to visit in May,” says Fr Manavalan.<br />
<br />
“Traditionally, the major offerings at Malayattoor have been ellu (sesame) and kurumulaku (black pepper). The most valuable thing that people had back in the day was not gold but black pepper. They used to carry bags of black pepper on their backs to offer it at Malayattoor. The money earned from the sale of black pepper was much higher than cash offerings,” says Fr Payyappilly.</div>Jyotihttp://indpaedia.com/ind/index.php?title=Badminton:_India&diff=130436&oldid=130434Badminton: India2024-03-16T23:09:02Z<p><span dir="auto"><span class="autocomment">B: 2024, historic gold for women: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Lakshya Sen secured lead with a 21-19, 22-20 victory against Koki Watanabe. But Japan came back as Akira Koga and Kazuki Shibata drubbed MR Arjun and Dhr uv Kapila 21-17, 21-15. In the decider, Kidambi Srikanth lost to Kento Momota 21-17, 9-21, 20-22.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Lakshya Sen secured lead with a 21-19, 22-20 victory against Koki Watanabe. But Japan came back as Akira Koga and Kazuki Shibata drubbed MR Arjun and Dhr uv Kapila 21-17, 21-15. In the decider, Kidambi Srikanth lost to Kento Momota 21-17, 9-21, 20-22.</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>==B: 2024, historic gold for women==</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">=</ins>==B: 2024, historic gold for women<ins class="diffchange diffchange-inline">=</ins>==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://epaper.indiatimes.com/article-share?article=19_02_2024_022_017_cap_TOI  Manne Ratnakar, February 19, 2024: ''The Times of India'']</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://epaper.indiatimes.com/article-share?article=19_02_2024_022_017_cap_TOI  Manne Ratnakar, February 19, 2024: ''The Times of India'']</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Chief coach Pullela Gopichand described the victory as one of the happiest moment of his life. “Its a fantastic victory, one of the very happiest moments of my life. The manner in which the entire team came together and triumphed speaks volumes of their calibre. Not many countries in the world could achieve this honour. Treesa-Gayatri pulled off the victory against a very tough team. Sindhu was good today. It is good that we beat top teams as not many teams in the world can talk of beating China and Japan,” Gopichand said, adding that Anmol was special.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Chief coach Pullela Gopichand described the victory as one of the happiest moment of his life. “Its a fantastic victory, one of the very happiest moments of my life. The manner in which the entire team came together and triumphed speaks volumes of their calibre. Not many countries in the world could achieve this honour. Treesa-Gayatri pulled off the victory against a very tough team. Sindhu was good today. It is good that we beat top teams as not many teams in the world can talk of beating China and Japan,” Gopichand said, adding that Anmol was special.</div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php/File:The_Sela_Tunnel_in_2024.jpgFile:The Sela Tunnel in 2024.jpg2024-03-16T23:08:08Z<p><a href="/ind/index.php?title=User:Jyoti&action=edit&redlink=1" class="new mw-userlink" title="User:Jyoti (page does not exist)">Jyoti</a> uploaded "<a href="/ind/index.php/File:The_Sela_Tunnel_in_2024.jpg" title="File:The Sela Tunnel in 2024.jpg">File:The Sela Tunnel in 2024.jpg</a>"</p>
Jyotihttp://indpaedia.com/ind/index.php?title=Badminton:_India&diff=130434&oldid=130284Badminton: India2024-03-16T22:48:31Z<p><span dir="auto"><span class="autocomment">French open BWF world tour 750: </span> </span></p>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>=French <del class="diffchange diffchange-inline">open </del>BWF <del class="diffchange diffchange-inline">world tour </del>750=</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>=French <ins class="diffchange diffchange-inline">Open </ins>BWF <ins class="diffchange diffchange-inline">World Tour </ins>750=</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==2022==</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>==2022==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===A===</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>===A===</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Though they won two Super 500 tournaments — Thailand Open in 2019 and India Open i n 2022 — they never won a Super 750 or Super 1000 tournament. Their best show before Sunday was winning bronze at the 2022 World Championships and helpingIndia to win the historic Thomas Cu p title earlier this year.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Though they won two Super 500 tournaments — Thailand Open in 2019 and India Open i n 2022 — they never won a Super 750 or Super 1000 tournament. Their best show before Sunday was winning bronze at the 2022 World Championships and helpingIndia to win the historic Thomas Cu p title earlier this year.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==2024==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">===Satwik-Chirag make semis; Sindhu exits===</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=09_03_2024_030_020_cap_TOI  Manne Ratnakar, March 9, 2024: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Top seeds Satwiksairaj Rankireddy and Chirag Shetty cruised into the semifinals, but PV Sindhu lost 24-22, 17-21, 18-21 to Chen Yu Fei of China at the French Open BWF Super-750 tournament.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Satwik-Chirag defeated Supak Jomkoh and Kittinupong Kedren of Thailand 21-19, 21-13. The world No. 1 pair is yet to lose a game in this tournament. From 16-18 in the first game, they moved to game point with four successive points. They dominated the second game too. In the semifinals on Saturday, they will face third seeds Kang Min Hyuk and Seo Seung Jae of South Korea.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Earlier, Sindhu put up a good fight against the reigning Olympic champion. The last time Sindhu defeated Yu Fei was when she won the World championship in 2019.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> The one hour, 32 minute contest saw the best of Sindhu. Despite the result, Sindhu and her team will be satisfied with her game. In the three-game contest that had long rallies, deft drops and powerful smashes, Sindhu was her old self. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The first game saw Sindhu and Yu Fei in a close contest till 22-22 before Sindhu won two big points, the last one with a well-timed crosscourt drop.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> In a change of plan, Yu Fei started playing long rallies in the second. Sindhu was up to the task and retrieved some very difficult drops. From 13-13, Yu Fei surged ahead as Sindhu committed a few unforced errors. The Chinese shuttler collected five straight points at this critical stage of the game. Sindhu’s brief recovery was not enough and the match entered the decider.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Like in the second game, Sindhu conceded five consecutive points which allowed Yu Fei to move from 11-12 to 16-12. Though Sindhu managed to reduce the gap to 15-16, the latter upped the ante with a couple of smash winners. In the semifinals, Yu Fei will play Akane Yamaguchi of Japan. From the top-half of the draw, South Korea’s An Se Young and Chinese Taipei’s Tai Tzu Ying made it to the last four stage.</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:History|BADMINTON: INDIA</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:History|BADMINTON: INDIA</div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php/File:Located_on_a_4.5-acre_section_of_Ajmal_Khan_Park,_the_place_has_replicas_of_20_Indian_monuments_recognised_as_World_Heritage_Sites_by_Unesco.jpgFile:Located on a 4.5-acre section of Ajmal Khan Park, the place has replicas of 20 Indian monuments recognised as World Heritage Sites by Unesco.jpg2024-03-16T22:44:21Z<p><a href="/ind/index.php?title=User:Jyoti&action=edit&redlink=1" class="new mw-userlink" title="User:Jyoti (page does not exist)">Jyoti</a> uploaded "<a href="/ind/index.php/File:Located_on_a_4.5-acre_section_of_Ajmal_Khan_Park,_the_place_has_replicas_of_20_Indian_monuments_recognised_as_World_Heritage_Sites_by_Unesco.jpg" title="File:Located on a 4.5-acre section of Ajmal Khan Park, the place has replicas of 20 Indian monuments recognised as World Heritage Sites by Unesco.jpg">File:Located on a 4.5-acre section of Ajmal Khan Park, the place has replicas of 20 Indian monuments recognised as World Heritage Sites by Unesco.jpg</a>"</p>
Jyotihttp://indpaedia.com/ind/index.php?title=Delhi:_Karol_Bagh&diff=130432&oldid=126554Delhi: Karol Bagh2024-03-16T22:43:57Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“No one is a failure. It’s a big exam, and one among a million students make the cut,” he adds.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“No one is a failure. It’s a big exam, and one among a million students make the cut,” he adds.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">=Ajmal Khan Park=</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==Heritage Park==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">===2024===</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=09_03_2024_008_003_cap_TOI  Vibha Sharma, March 9, 2024: ''The Times of India'']</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[File: Located on a 4.5-acre section of Ajmal Khan Park, the place has replicas of 20 Indian monuments recognised as World Heritage Sites by Unesco.jpg|Located on a 4.5-acre section of Ajmal Khan Park, the place has replicas of 20 Indian monuments recognised as World Heritage Sites by Unesco <br/> From: [https://epaper.indiatimes.com/article-share?article=09_03_2024_008_003_cap_TOI  Vibha Sharma, March 9, 2024: ''The Times of India'']|frame|500px]]</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">New Delhi: A fifth waste-to-art park is in the offing. The Municipal Corporation of Delhi will open the Heritage Park in congested Karol Bagh next month. Located on a 4.5-acre section of Ajmal Khan Park, the place has replicas of 20 Indian monuments recognised as World Heritage Sites by Unesco.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Among the monuments created from scrap material will be five heritage wheels (chakras) from temples constructed in different historical eras, such as the one from the Sun Temple at Konark in Odisha and the 16th century Hampi wheel from Karnataka.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> The entrance to this park comprises a 30ft-tall and 40ft-wide replica of Teen Darwaza, the monumental gateway constructed in 1415 on the east of Bhadra Fort in Ahmedabad. In close proximity to the gate is the replica of the ruins of the Vishnu Temple in Eran, Madhya Pradesh. The historically significant temple is located on the southern bank of River Bina.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> The other temples and monuments recreated from waste material are the Shore temple of Mahabalipuram in Tamil Nadu, Mahishasuramardhini Mandapa also in Tamil Nadu, Durga temp- le in Karnataka’s Aihol, Amer Fort in Rajasthan, Santiniketan in West Bengal, Red Fort of Delhi), Champaner in Gujarat, the Red Fort of Agra, Mahabodhi Temple in Bihar, Bhimbetka Caves in MP, Brihadeshwara Temple in Tamil Nadu, Elephanta Cave off Mumbai and Kakatiya Rudreshwara temple in Telangana. The MCD project, built at a cost of Rs 4 granted by MP Meenakshi Lekhi and inaugurated last week, is almost ready for the public with most of the tasks completed and only the electricity work under way.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> “Each sculpture is installed at the right distance and at different heights to give visitors enough time and space to view them. To add to the atmosphere, we have planted flowering and exotic plants of different heights and shapes. There are plaques in front of each three dimensional sculpture that gives information on the original monuments,” said an MCD official. “Aesthetic lighting, designed in heritage style, have also been installed to highlight the sculptures and to illuminate the common areas.”</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> One of the attractions of the ticketed Heritage Park is the waterbody-cum-fountain. “There used to be a fountain here earlier but it was lying defunct,” another civic official explained. “We have revived it and developed it into a huge area with an ample sitting arrangement for park visitors. The spot is very well lit and catches the eye. It is surrounded by at least five sculptures and there are steps from the fountain leading to those sculptures.”</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Civic issues =</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Civic issues =</div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php?title=Sela&diff=130431&oldid=130387Sela2024-03-16T22:41:38Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[<del class="diffchange diffchange-inline">Category</del>:India|<del class="diffchange diffchange-inline">C </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">==2024==</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">SELA TUNNEL</del>]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">===KNIGHT AND HIS LADY===</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[<ins class="diffchange diffchange-inline">https://epaper.indiatimes.com/article-share?article=09_03_2024_020_029_cap_TOI  Sandip Das1, March 9, 2024: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[<ins class="diffchange diffchange-inline">[File</ins>: <ins class="diffchange diffchange-inline">The Sela Tunnel in 2024.jpg| The Sela Tunnel in 2024 <br/> From: [https://epaper.indiatimes.com/article-share?article=09_03_2024_020_029_cap_TOI  Sandip Das1, March 9, 2024: ''The Times of </ins>India<ins class="diffchange diffchange-inline">'']</ins>|<ins class="diffchange diffchange-inline">frame|500px</ins>]]</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">The road to Tawang, where Indian and Chinese troops clashed in December 2022, passes through Sela, a mountain pass in Arunachal Pradesh set at almost 14,000 feet. The temperature drops to -20 degrees C sometimes, even diesel freezes, and it snows so heavily that getting through becomes impossible. But now, with the completion of the all-weather Sela Tunnel, Indian Army will have year-round connectivity between Guwahati in Assam and Tawang.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> The Sela Tunnel is actually two tunnels – or three if you count the escape tunnel built along the longer of the two main tunnels. The tunnels have been bored through the mountain at 13,116 feet. They will reduce the distance between Tawang and Dirang in Arunachal’s West Kameng district by 12km, saving almost 90 minutes one way.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> The project is said to be the longest bi-lane (two-lane) tunnel in the world at such altitude. The shorter tube (T1) measures 1003.34m and the longer tube (T2) 1594.90m. Because of T2’s length, a 1584.38m-long but narrower tunnel has been built parallel to it to let users escape if there’s a cave-in.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> For the safety of users, the tunnels have a ventilation system, powerful lighting, and firefighting systems. They have the capacity to let 3,000 cars and 2,000 trucks pass daily. They are of strategic importance as they will allow speedy troop deployment along the eastern sector of Line of Actual Control (LAC). </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> Moving troops, weapons, supplies and heavy machinery to forward areas in winter had become a priority after the Army’s skirmishes with People’s Liberation Army (PLA) between 2020 and 2022. Army has recently ordered Zorawar light tanks for deployment along LAC as the terrain is unsuitable for main battle tanks like T-90, T-72 and Arjun. Zorawar would be able to use such roads for faster deployment along the border.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> Border Roads Organisation says Sela Tunnel is among the most challenging infrastructure projects taken up in India. It was made using the new Austrian tunnelling method, and more than 50 engineers and 800 crew worked on it. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Work was hit last July after a major cloudburst made approach roads inaccessible. A third-party audit of Sela Tunnel was done after the Silkyara tunnel cave-in in Uttarakhand last November, and now the tunnel is ready for inauguration. </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' KNIGHT AND HIS LADY '''</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> Sela Tunnel is named after Sela Pass, and in modern lore the pass gets its name from the mythical admirer of a legendary Indian soldier. </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Some History First '''</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> Indian and Chinese armies skirmished around Sela in the 1962 war. In midNovember that year, during the Battle of Nuranang, 4th Garhwal Rifles fended off two Chinese incursions. Rifleman Jaswant Singh Rawat was part of this contingent.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> The Chinese charged again with heavy and accurate fire from a medium machine gun (MMG). Rawat showed immense bravery to seize this gun and bring it back to his position. But before he could enter his trench he was shot in the head, says his Maha Vir Chakra citation. </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Name Is Ancient '''</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> ➤ As per this legend, Sela Pass is named after Rawat’s admirer Sela, but it’s a much older name that occurs in British-era records. </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">➤ Sir Robert Reid, governor of Assam from 1937 to 1942, mentions Sela Range and Sela Pass in his book, ‘Frontier Areas Bordering on Assam’: “...on the 30th March they crossed the Sela Pass at 14,450 feet over deep snow frozen hard. On the 1st April they reached Tawang…” </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' ...And A Romance '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">➤ Rifleman Rawat is also the hero of a popular legend in which the 4th Garhwal Rifles decides to retreat but he digs in for a fight with some help from local girls Sela and Nura, who have been supplying the regiment’s chowki with food and water. </ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">➤ Sela, who is in love with Rawat, and Nura help him reload his several .303-calibre bolt action rifles, so that he can fire them rapidly, creating the illusion that the post is manned by many soldiers. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">➤ But after 72 hours, a captured supplier tells the Chinese that Rawat alone is manning the Indian position. The enemy charges, and Rawat and Sela are killed while Nura is captured.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[[Category:Places|C </del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> ➤ In some variations, Rawat shoots himself with his last bullet, in others he is captured and hanged. Nura is captured, tortured and killed while Sela jumps off a cliff.</ins></div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php?title=Hindu_personal_law(s):_India&diff=130430&oldid=0Hindu personal law(s): India2024-03-16T22:38:04Z<p>Created page with "{| class="wikitable" |- |colspan="0"|<div style="font-size:100%"> This is a collection of articles archived for the excellence of their content.<br/> Additional information ma..."</p>
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[[Category:India |H ]]<br />
[[Category:Law,Constitution,Judiciary |H ]]<br />
<br />
=As in 2024=<br />
[https://epaper.indiatimes.com/article-share?article=09_03_2024_028_011_cap_TOI Robin David, March 9, 2024: ''The Times of India'']<br />
<br />
There were two quick developments in early Feb indicating that politicians and courts believe the institution of marriage holds Indian society together. Specifically, that heterosexual marriage is at the core of traditional Indian values and giving sanction to any other form of building a family would threaten all that Indians hold dear.<br />
<br />
First, an SC judgment prevented a single, unmarried woman from becoming a mother via surrogacy. Then, Uttarakhand govt passed a uniform civil code forcing couples to register live-in relationships. The underlying argument was that marriage is a sacred glue that no one should dilute.<br />
<br />
What neither development explains is why this sacred glue is responsible for so many women killing themselves in the past few years. National Crime Records Bureau says that in 2021, more than 51% of women who died by suicide were housewives.<br />
<br />
So, the institution that is holding up society is also pushing many individuals in society to the edge. Don’t these numbers indicate that Indian society is evolving, thanks to technology, travel and the economic needs of people, and that this may be testing established norms of family and childbearing? Like all other laws, aren’t laws governing marriage and family also expected to adapt to a changing world? <br />
Given that we are so keen on preserving traditional values, let’s find out how the ‘smritikars’, legal luminaries of Vedic Age, would have responded to shaping laws to suit the needs of society.<br />
<br />
In Nov 2010, Justice Markandey Katju, then an SC judge, spoke at Banaras Hindu University on ancient Indian jurisprudence. While referring to the evolving nature of ancient Hindu law, he spoke about the custom of not allowing a woman to adopt a son without the husband’s consent and the different ways in which commentators interpreted it, with one school of thought finally allowing even a widow to adopt a son.<br />
<br />
Justice Katju pointed out that both the Dattak Mimansa of Nanda Pandit and Vachaspati Mishra, founder of Mitakshara’s Mithila school, barred widows from adopting. Dayabhaga school’s view was that a widow could adopt if her husband had given his consent during his lifetime. But Mitakshara’s Dravida school said ‘husband’ in the expression ‘except with the assent of the husband’ was only illustrative and not exhaustive, “and hence if the husband is dead the assent of his father or other senior male member of the family is sufficient.”<br />
<br />
This must have been revolutionary for Hindu society in Vedic Age given that widows in many communities were stigmatised and marginalised. If a widow could be allowed to adopt a son hundreds of years ago, why can’t a44-year-old single woman employ a surrogate to become a mother in the 21st century?<br />
<br />
Former Allahabad HC judge, Justice SS Dhavan, in his essay on ancient India’s judicial system describes how ancient Indian law was based on custom (achara, sadachara,charitra). The state maintained an authenticated record of customs observed in the country. “But even an established custom could be formally ‘disestablished’ if in course of time it became inequitable,” he says. He quotes Manu and Parashara for stating that the laws of Krita Yug and Kali Yug “are different from those of all the previous ages – the laws of each age being accordingto the distinctive character of each age.”<br />
<br />
The Smritis also recognised eight different types of marriages, one of which is Gandharv Vivah, where two people in love ‘marry’ without rituals, family, and witnesses. This was, perhaps, the closest one could get to a live-in.<br />
<br />
Even divorce was not such a big deal in many communities until the British arrived with their religious ethic, which insisted that a sacred bond like marriage could not be ended quickly just because two people could not stand being in the same room. <br />
<br />
When the Hindu Marriage Act was being discussed in Parliament in the 1950s, some MPs pointed out that it allowed for a marriage to be annulled after seven years of a spouse’s disappearance. But smritikars like Kautilya and Narad allowed for the same after three years. Kautilya, in fact, allowed for divorce by mutual consent.<br />
<br />
Scholars have pointed out that many schools of jurisprudence co-existedin Hindu society of the time, and one didn’t try to upstage or undermine the other. This allowed for multiple voices to be heard simultaneously and people navigated them by carving their own paths.<br />
<br />
It was the British who came to the subcontinent with their Victorianvalues and tried to codify ancient Hindu law. If European marriage laws were rooted in the Bible, marriage laws of various communities too would be framed by their religious books, they assumed, leading to much of the mess.<br />
<br />
Govts must realise that tying down society to some artificial restriction won’t work in the 21st century. It would make more sense to allow our laws to adjust to a fast-changing world. If they don’t adjust now, they will have to play catch-up later.</div>Jyotihttp://indpaedia.com/ind/index.php/File:Possessing_radical_literature_is_simply_not_an_offence,_in_and_of_itself.jpgFile:Possessing radical literature is simply not an offence, in and of itself.jpg2024-03-16T22:35:11Z<p><a href="/ind/index.php?title=User:Jyoti&action=edit&redlink=1" class="new mw-userlink" title="User:Jyoti (page does not exist)">Jyoti</a> uploaded "<a href="/ind/index.php/File:Possessing_radical_literature_is_simply_not_an_offence,_in_and_of_itself.jpg" title="File:Possessing radical literature is simply not an offence, in and of itself.jpg">File:Possessing radical literature is simply not an offence, in and of itself.jpg</a>"</p>
Jyotihttp://indpaedia.com/ind/index.php?title=Unlawful_Activities_(Prevention)_Act:_India&diff=130428&oldid=130338Unlawful Activities (Prevention) Act: India2024-03-16T22:34:59Z<p><span dir="auto"><span class="autocomment">Downloading material on an ideology not a UAPA offence: HC, 2024: </span> </span></p>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Nagpur: Nagpur bench of Bombay high court ruled <del class="diffchange diffchange-inline">Tuesday </del>that simply downloading material about a specific ideology from the internet does not constitute an offence under Unlawful Activities (Prevention) Act (UAPA).  </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Nagpur: Nagpur bench of Bombay high court ruled that simply downloading material about a specific ideology from the internet does not constitute an offence under Unlawful Activities (Prevention) Act (UAPA).  </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> In its verdict that acquitted wheelchair-bound former DU professor GN Saibaba and five others of charges related to terrorism and waging war against the country under five stringent sections of UAPA, a division bench comprising Judges Vinay Joshi and Valmiki Menezes said: “There should be specific evidence to connect the active role of the accused to particular incidents of violence and terrorism…” </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> In its verdict that acquitted wheelchair-bound former DU professor GN Saibaba and five others of charges related to terrorism and waging war against the country under five stringent sections of UAPA, a division bench comprising Judges Vinay Joshi and Valmiki Menezes said: “There should be specific evidence to connect the active role of the accused to particular incidents of violence and terrorism…” </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>The judges clarified that indicting people over their choice to write or read communist or Maoist literature, readily available on internet, violates fundamental rights.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>The judges clarified that indicting people over their choice to write or read communist or Maoist literature, readily available on internet, violates fundamental rights.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">===Possessing literature is simply not an offence, in and of itself===</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=08_03_2024_030_008_cap_TOI  March 8, 2024: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[File: Possessing radical literature is simply not an offence, in and of itself.jpg|Possessing radical literature is simply not an offence, in and of itself <br/> From: [https://epaper.indiatimes.com/article-share?article=08_03_2024_030_008_cap_TOI  March 8, 2024: ''The Times of India'']|frame|500px]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Bombay high court’s Nagpur bench, as it acquitted former DU professor GN Saibaba, made it clear that internet downloads of material about a specific ideology is no offence under antiterror law UAPA. But lower courts quite often don’t go by this principle. So, those accused stay jailed till their appeal comes up before the higher judiciary with SC reiterating a number of times that possessing literature is simply not an offence, in and of itself. Here’s a look at some instances:</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Crime|U UNLAWFUL ACTVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTIVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTIVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTIVITIES (PREVENTION) ACT: INDIA</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Crime|U UNLAWFUL ACTVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTIVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTIVITIES (PREVENTION) ACT: INDIAUNLAWFUL ACTIVITIES (PREVENTION) ACT: INDIA</div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php?title=Freedom_of_speech:_India&diff=130427&oldid=127826Freedom of speech: India2024-03-16T22:26:06Z<p><span dir="auto"><span class="autocomment">Press freedom: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Paid news is a reality, and therefore if you follow the dicta of the American judgments which Tata Press has followed in India, will Free Speech also provide a right which extends to paid news? Obviously it does not sound logical, and therefore this issue has not come up before the courts. However, if there was to be a penal provision against paid news, it would have to be tested on the touchstone of whether it violates Free Speech or not.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Paid news is a reality, and therefore if you follow the dicta of the American judgments which Tata Press has followed in India, will Free Speech also provide a right which extends to paid news? Obviously it does not sound logical, and therefore this issue has not come up before the courts. However, if there was to be a penal provision against paid news, it would have to be tested on the touchstone of whether it violates Free Speech or not.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[[Category:India|FFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">=Right to dissent=</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">FREEDOM OF SPEECH: INDIA]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">==Supreme Court 2024 on comments on Article 370, Pakistan’s Independence Day==</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[<del class="diffchange diffchange-inline">[Category</del>:<del class="diffchange diffchange-inline">Law</del>,<del class="diffchange diffchange-inline">Constitution,Judiciary|FFREEDOM OF SPEECH</del>: <del class="diffchange diffchange-inline">INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[<ins class="diffchange diffchange-inline">https</ins>:<ins class="diffchange diffchange-inline">//epaper.indiatimes.com/article-share?article=08_03_2024_001_010_cap_TOI  March 8</ins>, <ins class="diffchange diffchange-inline">2024</ins>: <ins class="diffchange diffchange-inline">''The Times of India''</ins>]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">FREEDOM OF SPEECH: INDIA]</del>]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div></div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Category:India|FFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: <del class="diffchange diffchange-inline">INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">FREEDOM </del>OF SPEECH: <del class="diffchange diffchange-inline">INDIA</del>]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">New Delhi: In a landmark judgment, Supreme Court on Thursday made ‘right to dissent lawfully’ a part of right to life and said terming abrogation of J&K’s special status under Article 370 a ‘black day’, coupled with wishing happy independence day to Pakistan, would not constitute an offence of promoting enmity between groups or communities on religious lines under Section 153A of IPC, reports Dhananjay Mahapatra.</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Category:Law,Constitution,Judiciary|FFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: <del class="diffchange diffchange-inline">INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">FREEDOM </del>OF SPEECH: <del class="diffchange diffchange-inline">INDIA</del>]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> “Every citizen of India has aright to be critical of the action of abrogation of Art 370 & the change of status of J&K. Describing the day the abrogation happened as a ‘black day’ is an expression of protest and anguish. If every criticism or protest of actions of the state is to be held as an offence under Sect 153A, democracy, which is an essential feature of the Constitution, won’t survive,” said a bench of Justices Abhay S Oka & Ujjal Bhuyan.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Right to dissent lawfully must be treated as part of right to life: SC '''</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">A bench of Justices Abhay S Oka and Ujjal Bhuyan quashed an FIR against Javed Ahmad Hajam, a resident of Baramulla in Kashmir who was booked for criticising abrogation of Article 370.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> “The right to dissent in a lawful manner must be treated as a part of the right to lead a dignified and meaningful life guaranteed by Article 21,” the bench said. SC, which in the past had initiated contempt of court proceedings for criticism of judges, took a broad view of Hajam’s criticism of abrogation of Article 370 and wishing Pakistan on its Independence Day and said time has come to sensitise police about freedom of speech and expression and the right of citizens to dissent and criticise every action of govt. “The right to dissent in a legitimate and lawful manner is an integral part of rights guaranteed under Article 19(1)(a). Every individual must respect the right of others to dissent. An opportunity to peacefully protest against decisions of govt is an essential part of democracy,” said Justice Oka, who authored the judgment.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> However, the bench clarified that protest or dissent must be within four corners of the modes permissible in a democratic setup. It was subject to reasonable restrictions imposed in accordance with clause (2) of Article 19. In the present case, Hajam had not crossed the line, it said.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> The bench said India was a democratic republic for more than 75 years and its population knew the importance of democratic values. “Therefore, it is not possible to conclude that the (se) words will promote disharmony or feelings of enmity, hatred or ill-will between different religious groups,” it said.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> SC prescribed the age-old formula for testing what kind of statements would attract Section 153A. “The test to be applied is not the effect of words on some individuals with weak minds or who see a danger in every hostile point of view. The test is of the general impact of utterances on reasonable people who are significant in numbers. Merely because a few individuals may develop hatred or ill will, it will not be sufficient to attract clause (a) of sub-section (1) of Section 153A of IPC,” it said.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> “Every citizen has the right to extend good wishes to citizens of other countries on their respective independence days. If a citizen of India extends good wishes to citizens of Pakistan on Aug14, which is their Independence Day, there is nothing wrong with it. It’s agesture of goodwill. In such a case, it cannot be said that such acts will tend to create disharmony or feelings of enmity, hatred or ill-will between different religious groups. Motives cannot be attributed to the appellant only because he belongs to a particular religion,” the bench said.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> “Now, time has come to enlighten and educate our police machinery on the concept of freedom of speech and expression guaranteed by Article 19(1)(a) of the Constitution and the extent of reasonable restraint on their free speech and expression. They must be sensitised about the democratic values enshrined in our Constitution,” it added.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> The bench said the statement that Aug 5 (when Article 370 was abrogated) is a ‘Black Day for J&K’, on a plain reading is a criticism of govt decision to abrogate special status.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Category:India|FFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: <ins class="diffchange diffchange-inline">INDIAFREEDOM </ins>OF SPEECH: <ins class="diffchange diffchange-inline">INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF S</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Category:Law,Constitution,Judiciary|FFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: <ins class="diffchange diffchange-inline">INDIAFREEDOM </ins>OF SPEECH: <ins class="diffchange diffchange-inline">INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF SPEECH: INDIAFREEDOM OF S</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Social media=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=Social media=</div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php?title=Brahmn,_the_ultimate_reality&diff=130426&oldid=117527Brahmn, the ultimate reality2024-03-16T22:22:36Z<p><span dir="auto"><span class="autocomment">Self-realisation: Hurdles in the path: </span> </span></p>
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<td colspan='2' style="background-color: white; color:black;">Revision as of 22:22, 16 March 2024</td>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>When the dog inside the house barks at a street dog and the latter retorts, the master does not get involved. The wise align with the atma within which stands aloof as a mere witness.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>When the dog inside the house barks at a street dog and the latter retorts, the master does not get involved. The wise align with the atma within which stands aloof as a mere witness.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">=The Upanishads=</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==Uma, the deity, guides Devas to know Brahmn==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.indiatimes.com/article-share?article=08_03_2024_026_002_cap_TOI  Pranav Khullar, March 8, 2024: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">When asked by a disciple, “Kenesitam patati presitam manah” – by whom and whose will is the mind directed towards objects – in the opening lines of the Kena Upanishad, the teacher narrates a parable of three gods and the goddess. Placing it in the context of war, the story narrates how the righteous forces, devas, have prevailed over the violators, the asuras.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Now having won, devas are congratulating themselves and gloating over their victory and the special powers that enabled it. The story goes, therein appears a brilliant Yaksha-form. Gods are taken aback at this luminous form and feel challenged by the radiance of this Being. They ask Agni to come forward and find out who this Being is. Agni introduces himself as a god with the special power to burn and turn to ashes everything in the Universe. The Yaksha places a blade of grass in front of Agni and tells him to burn it, or else shed this vanity of strength. With all his skills, Agni is unable to burn the blade of grass and withdraws, his spirits deflated.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> Gods then call upon Vayu to challenge and get to know this enigmatic Yaksha figure. Vayu too is called upon by the Yaksha to show his special powers. But with all his powers to blow away everything in his path, Vayu is unable to move the blade of grass, and retreats in despondency, his ego shattered.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Finally, Indra, the king of the gods, is exhorted to find out who this Being is, but even as he approaches the Yaksha, the Being disappears before his eyes. Indra is bewildered at not even being asked by the Yaksha to show his powers.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> In his Bhasya on the Kena Upanishad, Adi Shankara alludes to the cause behind the sudden disappearance of the Yaksha figure, stating that Indra was the most vain of the gods, and the greater this vanity and self-absorption, the farther the divine grace drifts away from that person.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> But as Indra stands rooted, perplexed at the turn of events, his jignasa, his desire to know this Being intensifies. This seeking of the truth puts him in a reflective state of mind and gets the better of his self-absorption. And as his vanity gets subsumed in his seeking, Uma, the great Goddess, appears in front of him in a splendiferous form, shobhavati uma haimavati – the omniscient consciousness of creation. And tells Indra that the Being that had vanished was indeed Brahmn. In revealing the existence of Brahmn to him and devas, she guides them to the realisation that it is Brahmn alone which drove gods to victory over the Asuras and they are but instruments. The power of Brahmn, the Kenopanishad states, is to be intuited in every state of mind, Pratibodha-viditammatam, as it is witness to all states of consciousness, and thereby Tadvanam, that which is most adorable. The teacher closes with two similes of the way Brahmn is realisable, like, as in a flash of lightning, or like in the flapping of an eyelid. And Uma as the creative Prakriti impulse, guides us to understand the spiritual essence of this flash of Brahmn by removing the ‘i-syndrome’.</ins></div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php?title=Corruption:_India&diff=130425&oldid=129446Corruption: India2024-03-16T22:20:48Z<p><span dir="auto"><span class="autocomment">Refund of bribe money does not absolve of graft charge: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>It noted that as per the final report filed in this case, persons who adopted corrupt practices to secure employment in the transport corporation fall under two categories namely, (i) those who paid money and got orders of appointment; and (ii) those who paid money but failed to secure employment.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>It noted that as per the final report filed in this case, persons who adopted corrupt practices to secure employment in the transport corporation fall under two categories namely, (i) those who paid money and got orders of appointment; and (ii) those who paid money but failed to secure employment.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[[Category:Afghanistan|CCORRUPTION: INDIACORRUPTION</del>: <del class="diffchange diffchange-inline">INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">==Wife can’t be made co-accused merely if disproportionate assets are in her name</ins>: <ins class="diffchange diffchange-inline">HC==</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">CORRUPTION: INDIA]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[<ins class="diffchange diffchange-inline">https</ins>:<ins class="diffchange diffchange-inline">//epaper.indiatimes.com/article-share?article=08_03_2024_016_006_cap_TOI  Lalmohan Patnaik, TNN, March 8, 2024</ins>: <ins class="diffchange diffchange-inline">''The Times of </ins>India<ins class="diffchange diffchange-inline">''</ins>]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[</del>[<del class="diffchange diffchange-inline">Category</del>:<del class="diffchange diffchange-inline">Bangladesh|CCORRUPTION: INDIACORRUPTION: INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">CORRUPTION: INDIA]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Cuttack</ins>: <ins class="diffchange diffchange-inline">Orissa high court has held that when a man is facing criminal proceedings for allegedly possessing properties disproportionate to his known sources of income, his wife cannot be made accused in the case only because there are certain assets in her name.</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[[Category:Bhutan|CCORRUPTION: INDIACORRUPTION: INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> HC delivered the ruling Wednesday while considering the case of a housewife whose husband was the principal accused in a disproportionate assets case registered under Prevention of Corruption Act. She challenged the proceedings initiated against her for alleged abetment of the offence committed by her husband. </ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">CORRUPTION: INDIA]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">A single-judge bench of Justice Sibo Sankar Mishra said, “Usually, it is the natural course that an unemployed wife is always dependent upon the will of her employed husband. The principal accused (husband) is in a position to dominate the will of the petitioner (wife).”</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">[[Category:Crime|CCORRUPTION: INDIACORRUPTION: INDIA</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> “The petitioner is not claiming that she independently acquired the assets alleged to have been in her name. Hence, the onus is on the main accused to prove the source of the income from which the assets were acquired in the name of his wife,” the judge observed.</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div><del class="diffchange diffchange-inline">CORRUPTION: INDIA]]</del></div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> But the prosecution was banking upon allegation of “abetment”, without any material to prosecute the petitioner. Dismissing it, Justice Mishra noted, “If the analogy of the prosecution is accepted to sustain the criminal proceeding against the petitioner, then in that event, every member of the family of the principal accused in whose name any movable or immovable property was/is purchased by him shall be liable to be prosecuted for abetment.” Accordingly, Justice Mishra quashed the case registered against the petitioner.</ins></div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php?title=K_V_Rabiya&diff=130424&oldid=0K V Rabiya2024-03-16T22:19:16Z<p>Created page with "{| class="wikitable" |- |colspan="0"|<div style="font-size:100%"> This is a collection of articles archived for the excellence of their content.<br/> Additional information ma..."</p>
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[[Category:India |R ]]<br />
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=A brief biography=<br />
[https://indianexpress.com/article/india/womens-day-kerala-literacy-rabiya-padma-shri-9201940/ Chithira N Raju, March 10, 2024: ''The Indian Express'']<br />
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A specially-abled woman from Vellilakkad in Kerala’s Malappuram had to fight physical ailments and social stigma, among others, in her quest to contribute to society.<br />
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''' Children’s Rabiyatha '''<br />
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Struck by polio at the age of 14, Rabiya mustered the courage to continue school. In her translated autobiography, Dreams Have Wings, Rabiya mentions how the zestful girl who used to have fun climbing trees was left shattered by the illness.<br />
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“Slowly, I felt like my legs were shivering. I told myself that it was just an illusion. ‘Nothing to worry’, I comforted myself,” Rabiya says, mentioning that she fell down on her way to school at the onset of polio. However, she managed to complete her Class 10. Even though she wanted to study further after the pre-degree course, her physical ailment confined her to home.<br />
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The spirited girl continued to read books voraciously. Later, she started taking tuition classes and was fondly called ‘children’s Rabiyatha’ (elder sister). Students started flocking to her house from far-flung places. She taught most students for free while charging a nominal fee for financially sound students.<br />
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''' Literacy mission ''' <br />
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When the then-state government started the Literacy Mission in the 1980s, Rabiya was enthusiastic to teach her fellow community members. However, an instructor needed to have a college degree or formal education.<br />
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But all of a sudden, an instructor in her area, Subair, sought her help. As Subair’s exams were going on, he could not concentrate on the Mission’s classes and the responsibility to take the classes was given to Rabiya.<br />
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When started her classes on June 17, 1990, there were only seven students. Elderly women, housewives later gathered around out of curiosity. Rabiya recollected how hard it was to convince people, especially women from her community to study. She explained about the importance of literacy and illustrated examples of Abraham Lincoln, Kasthurba Gandhi and VT Bhattathirippaad to inspire them. Slowly, scores of people joined for classes and without taking a break, Rabiya taught them everyday.<br />
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“My learners and I never liked to come second! We must come first – that was our motto. There were dark nights when we used to team up around a kerosene lamp, gearing up for such competitions,” Rabiya mentioned in her autobiography.<br />
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Rabiya taught her students with dedication and even won the praise of then IAS officer Kuruvilla John. Speaking to indianexpress.com, Rabiya said, “I was very strict… I struck down answers until students wrote them impeccably. During an examination, I remember how another instructor was left astounded by the uniformity in my students’ neat writing.”<br />
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Sharing an anecdote in her autobiography, Rabiya recalled how her fiery speech during bureaucrat John’s visit to her class, resulted in road and electricity connection in the area. The road was later named Akshara Road.<br />
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She also contributed to setting up a library in Vellalikkad and a separate reading room for women. Rabiya soon ventured into other social activities.<br />
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Rabiya led awareness campaigns on women’s empowerment, infant mortality rate, and consumer rights. Her contributions led to the formation of Mahila Samajam, a group that works for the benefit of women from backward classes. Rabiya also played a major part as the convener of Aksharasangham, a government scheme targeted to make people aware of various welfare schemes. Chalanam, her charity organisation, continues to strive for the welfare of the disabled through rehabilitation and training programs. Rabiya also set up six schools for disabled children.<br />
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''' Fighting odds '''<br />
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Talking about challenges faced by specially-abled people, the 58-year-old woman said, “There should be reservations in jobs for the specially-abled. They should be able to avail the best treatment and more avenues of education. For those who are confined to home, resources and training should be made available in their houses. They should be equipped to gain skills and earn a livelihood.<br />
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“When a person faces adversity, they become stronger. If one loses both legs, then he or she uses their hands to move. When I am lying down, I am a bedridden woman. But, when I move into a wheelchair, I become a social worker. Still, I manage everything and continue to do my work.”<br />
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Rabiya was left paralysed from the neck down since the age of 38 after falling down in the bathroom. Before that, at the age of 32, she was diagnosed with breast cancer and underwent surgery, chemotherapy, and radiation.<br />
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“I have endured all adversities by concentrating on education… I write books and do many other things to keep myself motivated,” concluded the social worker.</div>Jyotihttp://indpaedia.com/ind/index.php?title=The_Constitution_of_India_(issues)&diff=130423&oldid=125475The Constitution of India (issues)2024-03-16T22:14:37Z<p><span dir="auto"><span class="autocomment">The spirit: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'' Singh is the co-author of ‘Nehru:The debates that defined India’ ''</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'' Singh is the co-author of ‘Nehru:The debates that defined India’ ''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Category:India|CTHE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">==The 15 women who wrote the Constitution==</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>THE CONSTITUTION OF INDIA (ISSUES)]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[https://indianexpress.com/article/research/the-women-who-wrote-the-constitution-of-india-9198311/  March 6, 2024: ''The Indian Express'']</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Category:Law,Constitution,Judiciary|CTHE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>THE CONSTITUTION OF INDIA (ISSUES)]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' The women who wrote the Constitution of India '''</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>THE CONSTITUTION OF INDIA (ISSUES)]]</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Among the 299-member Constituent Assembly, there were 15 women who advocated passionately for a kind of India that would bear the imprint of both genders. They argued ardently over a range of topics from reservations to the Uniform Civil Code.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">These experiences informed their discussions, arguments and positions on subjects like reservations, minority rights and legislative finances. During the debate around the Hindu Code Bill, members like Durgabai Deshmukh and Hansa Kumari made strong arguments for a Uniform Civil Code, which they believed would ensure more equality for women.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Dakshayani Velayudhan and Begum Aziaz Rasul argued against reservations and separate electorates for Scheduled Castes and Scheduled Tribes. They believed that reservations would maintain an unbridgeable gap between minorities and the majority.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">These women advocated for a kind of India that would bear that imprint of both men and women. Economic, social and political equality for everyone in society was their foremost goal. Despite being on the receiving end of distasteful comments from several Constituency Assembly members, these women spoke their minds and played a crucial role in scripting the sovereign and secular republic of India.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Annie Mascarene '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Born in 1902, Annie Mascarene’s work as a lawyer and politician in Travancore influenced her arguments in the Constituent Assembly Debates greatly. She fought to integrate the princely state of Travancore into the newly independent India and became the first woman to hold a ministerial and legislative assembly position in Travancore.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Mascarene in the Constituent Assembly Debates firmly believed in the centralisation of power for a smooth functioning of a democracy. She also warned against complete centralisation which would negatively affect the nature of democratic institutions. She said that the task of the Assembly was to lay down the rudimentary principles of democracy for generations to come and not just for the near future.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Hansa Jivraj Mehta '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">As a staunch freedom fighter, women’s rights activist and member of the Constituent Assembly, Hansa Jivraj Mehta essayed several roles. On August 15, 1947 as the country celebrated its Independence and President Rajendra Prasad took the pledge of freedom, Mehta presented the country’s first national flag on behalf of the women of India.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Mehta remained committed to women’s issues throughout her life and, in the Constituent Assembly, made strong arguments against reservations for women. “What we have asked for is social justice, economic justice and political justice, not reserved seats for quotas and separate electorates,” she said. Mehta also served on the board of UNESCO and became the first Vice Chancellor of MS University in Baroda.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Dakshayani Velayudhan '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Born into the Pulaya community of Kerala, Dakshayani Velayudhan faced acute discrimination from the upper caste communities in Cochin and Travancore. Movements against caste discrimination were becoming prominent.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Velayudhan affirmed that the Constituent Assembly does not just “provide a new framework for the country but also grants the people a new framework of life”. She was a Gandhian and opposed untouchability. She supported Article 17 of the Constitution which abolishes untouchability. Velayudhan did not pursue electoral politics but was actively involved in social work in Delhi.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Amrit Kaur '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">A princess by birth but a fierce activist by passion, Amrit Kaur played an important role both during the freedom struggle and in shaping independent India. Kaur joined Gandhi in the Civil Disobedience movement in 1930 and was passionate about the political participation of women.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Like many of her contemporaries, Kaur advocated for universal adult franchise and did not believe in reservations for women. Kaur believed that true equality would only be gained when women made it to the legislature through ordinary elections rather than through reservations.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">More about Rajkumari Amrit Kaur | The princess who built AIIMS</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">She advocated for the Uniform Civil Code along with Hansa Mehta and wanted to replace “free practice of religion” with “freedom of religious worship” in the draft Constitution. A secular at heart, Kaur carried with her a spinning wheel, the Bhagwad Gita and the Bible when she was jailed after the Quit India Movement.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Kaur also served as the first women Health Minister and founded renowned institutions like the All India Institute of Medical Sciences (AIIMS).</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Ammu Swaminathan '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Fearless and politically charged, Ammu Swaminathan was a social worker, politician and anti-caste activist. Despite being born into an upper caste family, Swaminathan actively fought to erase caste-based discrimination in India.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Swaminathan started becoming politically involved in 1917 when she formed the Women’s India Association along with Annie Besant to address the social and economic problems of women workers. In the Constituent Assembly, Swaminathan supported the adult franchise and the removal of untouchability.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Having been at the receiving end of the practice of child marriage herself, she advocated for the Child Marriage Restraint Act and Age of Consent Act and the various Hindu Code Bills that pushed for reform in Hindu religious laws.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Durgabai Deshmukh '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Remembered as the ‘Mother of Social Work’, Durgabai Deshmukh was one of the drivers of rigorous nation-building and social reform. Born in 1909 in Andhra Pradesh, Deshmukh did not come from a family of privilege. Since her childhood, she noticed cruel customs and poor treatment of women. When she was jailed during the Salt Satyagraha, Deshmukh observed that several women were imprisoned for crimes they did not even commit.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">After this, Deshmukh decided to become a lawyer and pioneered the Andhra Mahila Sabha in 1937, which became an institution of education and social welfare. In the Constituent Assembly, she weighed in on judicial matters and advocated lowering the age from 35 to 30 to hold a seat in the Council of Ministers.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">After Independence, she also served in the Planning Commission as a leader of social services and became the chairperson of the Central Social Welfare Board (CSWB).</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Begum Aizaz Rasul '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Reservation is a self-destructive weapon which separates the minorities from the majority for all time,” said Begum Aizaz Rasul in the Constituent Assembly in 1948. Rasul was born into a princely family in Punjab and was introduced to politics early on.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">She was the only Muslim woman member in the Constituent Assembly and advocated for minority rights in a secular state. However, she opposed reservations and separate electorates on communal lines. Beyond the Constituent Assembly, Rasul in the 1990s also believed that given the rising popularity of Hindutva, “it is time to think anew of how to improve the educational and socio-economic conditions of Muslims”.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Rasul was also the President of the Indian Women’s Hockey Federation and established the All India Women’s Hockey Association for 20 years.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">''' Vijaya Laxmi Pandit '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Often sidelined as Jawaharlal Nehru’s sister, Vijaya Laxmi Pandit was a diplomat and revolutionary. Born into one of the most illustrious families in India, Vijaya Laxmi Pandit was the first woman cabinet minister in the British era. She was also one of the first leaders to call for an Indian constituent assembly to frame a Constitution.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">In the Assembly, Pandit emphasised the responsibilities of a free India towards its citizens and other countries. After independence, Pandit became the face of India on a global stage. She was the only woman delegate at the United Nations Organisation Conference. She was also the first woman President of the UN General Assembly in 1953.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Category:India|CTHE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)<ins class="diffchange diffchange-inline">THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">THE CONSTITUTION OF INDI</ins>]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Category:Law,Constitution,Judiciary|CTHE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)<ins class="diffchange diffchange-inline">THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">THE CONSTITUTION OF INDI</ins>]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)<ins class="diffchange diffchange-inline">THE CONSTITUTION OF INDIA (ISSUES)THE CONSTITUTION OF INDIA (ISSUES)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">THE CONSTITUTION OF INDIA</ins>]]</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=The original copies of the Constitution=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=The original copies of the Constitution=</div></td></tr>
</table>Jyotihttp://indpaedia.com/ind/index.php?title=Coffee:_India&diff=130422&oldid=100603Coffee: India2024-03-16T22:11:37Z<p><span dir="auto"><span class="autocomment">Consumption: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Apart from coffee, caffeine is found in tea, cola beverages, energy drinks and certain medicines also. "A mug of instant coffee contains about 100 mg of caffeine. The general advice is that adults should not have more than three to four cups of coffee daily and students not more than two cups," said Dr Anoop Misra, chairman. Fortis C-doc.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Apart from coffee, caffeine is found in tea, cola beverages, energy drinks and certain medicines also. "A mug of instant coffee contains about 100 mg of caffeine. The general advice is that adults should not have more than three to four cups of coffee daily and students not more than two cups," said Dr Anoop Misra, chairman. Fortis C-doc.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Caffeine, experts say, also enhances the preference for sweet foods and leads to an overall greater incidence of being overweight. There are more direct effects on neural, cardiovascular, gastrointestinal and renal functions.</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Caffeine, experts say, also enhances the preference for sweet foods and leads to an overall greater incidence of being overweight. There are more direct effects on neural, cardiovascular, gastrointestinal and renal functions.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">=Recipes=</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==Filter coffee==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://indianexpress.com/article/lifestyle/food-wine/indian-filter-coffee-best-coffees-world-taste-atlas-recipe-9201408/?tbref=hp  March 10, 2024: ''The Indian Express'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">To pay homage to this delicious drink, Taste Atlas, a popular food guide, recently released a list of the ’10 Best Rated Coffees’ in the world. While the list was topped by ‘Café Cubano’ — a sweetened espresso shot prepared using dark roast coffee and sugar — our very own ‘Indian filter coffee’ came in the second position.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' But what makes Indian filter coffee unique? We reached out to chefs to understand. '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">What sets Indian filter coffee apart is its distinctive blend of coffee beans, typically a combination of Arabica and Robusta varieties sourced from the lush plantations of South India. “These beans undergo a meticulous roasting process, often with a touch of chicory, to enhance the depth of flavour and impart a subtle bitterness to the brew,” Biswarup Chatterjee, executive chef at Hilton Garden Inn, New Delhi, tells indianexpress.com.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">The brewing process itself is an art form, with skilled artisans mastering the technique over generations. “The slow drip method ensures that the coffee grounds are fully saturated, extracting maximum flavour and aroma without compromising on the smoothness of the final cup. The addition of frothed milk, known as ‘decoction’, further enhances the richness and creaminess of the coffee, creating a sensory experience that captivates the palate,” Chatterjee adds.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">In comparison to the regular cup of coffee, Indian filter coffee, or filter kaapi, has more caffeine.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">“Regular coffee tastes a little bit lighter than filter coffee, which is renowned for having a deeper flavour. While we use processed and refined coffee beans to make normal coffee, we utilise fresh, ground coffee beans for filter coffee preparation. Making filter coffee takes longer than creating standard coffee drinks like cappuccino and espresso because filter coffee is prepared slowly.” says Diwas Wadhera, executive chef, Eros Hotel, Nehru Place, New Delhi.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">“Indian filter coffee is also thought to be rich in antioxidants and high in fibre, which may help prevent heart disease, cancer, and other ailments,” he adds.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">It also has a special ritualistic way it is often served, says Dheeraj Mathur, cluster executive chef, Radisson Blu Kaushambi, Delhi NCR.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Making Indian filter coffee involves a specific set of ingredients and a unique brewing process. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Here’s a simple recipe, courtesy chef Mathur: ''' </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Ingredients '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Coffee powder: A blend of dark-roasted coffee beans, often mixed with chicory. The ratio of coffee to chicory varies based on personal preference (commonly 80:20 or 70:30).</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Water: Fresh, clean water for brewing.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Milk: Whole milk is traditionally used for a richer flavour.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Sugar: Optional, based on individual taste preferences.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Method ''' </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Brewing the coffee decoction: '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Add 2 to 3 tablespoons of coffee powder to the upper cup of the filter.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Gently tamp down the coffee powder using the plunger or a flat spoon, ensuring it’s compact.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Pour hot water over the tamped coffee powder. Let it percolate through the tiny holes into the lower cup. This process extracts a strong coffee decoction.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Allow the collected liquid (decoction) in the lower cup to fill and set it aside.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Making filter coffee: '''</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Heat the desired amount of milk. Traditionally, whole milk is frothed to create a creamy texture.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">In a tumbler, combine the desired amount of coffee decoction with hot, frothy milk.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Adjust the ratio based on personal taste preferences. If desired, add sugar to the coffee-milk mixture according to taste.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">For the traditional experience, pour the coffee from the tumbler to the dabarah (saucer) and back a few times to cool and froth it.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Your Indian filter coffee is ready to be enjoyed!</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''Pro tip: The quantities of coffee, milk, and sugar can be adjusted based on individual preferences. The key is to achieve a balance that suits your taste.'''</ins></div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php?title=Sahir_Ludhianvi&diff=130421&oldid=118170Sahir Ludhianvi2024-03-16T21:58:43Z<p><span dir="auto"><span class="autocomment">Rajesh K Pallan’s research: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“As I said, God has been extremely kind to me that I got a chance to sing Sahir Ludhianvi Sahab’s songs. He was the best, best, best.”</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>“As I said, God has been extremely kind to me that I got a chance to sing Sahir Ludhianvi Sahab’s songs. He was the best, best, best.”</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Category:Cinema-TV-Pop|L  </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">=Rajesh K Pallan’s research=</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[https://indianexpress.com/article/opinion/columns/sahir-ludhianvi-a-romantic-and-a-revolutionary-7807913/ March 9, 2024: ''The Indian Express'']</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">As soon as one enters the corridors of Government College, Ludhiana, one encounters the most celebrated alumnus of the college, Sahir Ludhianvi: A group picture featuring him adorns the wall, his not-so-creditable mark-sheets are preserved in old magazines, there’s a copy of his admission form, duly signed by him. One also finds there an auditorium and a botanical garden, Gulistaan-e-Sahir, dedicated to the poet who wrote not for art’s sake but for all of humanity, for life’s sake.</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Of his three famous books — Talkhiaan, Parchhaayeean and Aao Ke Koyee Khwaab Bunne —the first is considered to be the one that best represents Sahir’s vicissitudes in life, in which he interweaves the themes of struggles waged in an oppressive society with the sighs and sorrows of unrequited lovers. Romanticism and revolution run cheek-by-jowl in his poetry. That Sahir was an iconoclast is evident from his poem, “Taj Mahal”:</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Ek shehanshah ne daulat kaa sahara le kar</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> Ham gareebon kee mohabbat kaa urhaayaa hai mazaak” </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(An emperor has lampooned poor people’s love by exhibiting his wealth)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sahir’s Marxist leanings surface multiple times and his poetry almost becomes a manifesto of the people. He displayed a rare sensitivity to the plight of the dispossessed and the downtrodden. Taking on the high and mighty, he attempted to raze their false pretensions to the ground, smashing their ego into smithereens and envisioning an ideal society where the “have-nots” would walk proudly with the “haves”.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">His socialistic streak springs forth in the following lines: </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Zameen ne kyaa issee kaaran anaaj uglaa thaa </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Ke Nassl-e-Aadamo-Hawaa bilak bilak ke marre?” </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(Should the earth sprout grains only so that the human race dies in dire straits?)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">As Sahir’s forte was sarcasm, he wrote sympathetically of prostitutes while castigating their rich clients and also pronounced that the East is not, in any way, better than or superior to the West:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Yeh kuche, yeh neelaam ghar dilkashee ke, </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Yeh loot te huye caravan zindagee ke, </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Kahaan hein, kahan hein, muhaafiz khudee ke, </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sanaa-khwan-e-taqdeese mashrik kahaan hai?” </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(These are the amorous streets and exhibitions where caravans of life are being robbed.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> Where are the custodians of self-esteem? How can the east be termed as an embodiment of purity?)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">In his poetry, Sahir shredded the pride and prejudices attached to caste, colour, race and religion rampant in our unequal society. These lines exhibit Sahir’s deep-seated scorn for the so-called custodians of religion:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Quran na ho jisme who mandir nahee tera </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Gita naa ho jisime, woh haram nahi tera. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Tu hindu banegaa, naa mussalmaan banegaa </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Insaan kee aulaad hai, insaan banegaa” </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(That temple is not yours if it does not embellish the Quran; that cannot be your sanctuary if it does not adorn the Gita; You will not become either a Hindu or a Muslim, You will become a human being as you are the offspring of human beings)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Again, in his unparalleled articulation, Sahir pronounces his avowed belief in universal brotherhood:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Kaabe mein raho ya kaashi mein </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Nisbat to ussi ki zaat se hai</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline"> Tum Ram kaho ya Rahim kaho, matlab to ussi ki baat se hai” (You might live in the holiest place of Islam or in the holiest place of Hinduism; it is all related to its Being: you might sing of Ram or Rahim, the crux lies only in their teachings”)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">In the lyrics Sahir penned for films like Pyaasa, he laid bare the ills plaguing our society by challenging the establishment:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Yeh daulat ke bhhokhe rivaajon kee dunia </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Yeh dunia agar mil jaaye bhi to kiyaa hai?” </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(This world is teeming with those who hunger for riches. Even if we acquire this world, it would mean nothing)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">A single man throughout his chequered career, Sahir stepped into love with Amrita Pritam – the relationship that did not mature into fruition and made him pensive and morose. Amrita Pritam’s autobiography, Raseedi Ticket, translated by Khushwant Singh as “Revenue Stamp”, is an open confession of love to Sahir. She describes how she and Sahir would sit silently for hours together, without exchanging a single word and after his departure, she would smoke the cigarette butts he left behind in the ashtray. She also mentions her son’s innocent assertion that he looks like “Sahir uncle” and also that she should tell Sahir not to speak on the neighbour’s radio as that neighbour’s child is not on speaking terms with him.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">After Sahir’s death, Amrita nurtured a fervent hope that the air mixed with the smoke from the cigarette butts would travel to the other world and meet him! So obsessed was she with Sahir that she once wrote:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“There was a grief I smoked </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">In silence, like a cigarette </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Only a few poems fell </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">out of the ash I flicked from it.”</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">In his book, Haseen Chehre (Pretty Faces), Balwant Gargi, a noted Punjabi playwright, has narrated an anecdote about Sahir and Khayaam, the music director. Once Khayaam boasted of getting sixty thousand rupees for directing the music for a Nadiawala film and added that he would have given even one lakh had Khayaam demanded so.” Sahir cryptically remarked, “Khan Sahib, if you were bent upon begging, then you could beg for the throne also!”</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sahir’s much-discussed liaison with Sudha Malhotra not only points to his inadequacy in fructifying his relationships but also denotes his Oedipus complex, his mother-fixation.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">In a prefatory note to his book, Sahir: A Literary Portrait, Surinder Deol calls Sahir “a mystery wrapped in an enigma”. Quoting Sahir’s friend from Lahore (Ahmed Rahi), Deol wrote that “Sahir only loved one woman, his mother, and had only one hate, his father”.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Even Khushwant Singh corroborates this view, “She (Sahir’s mother) was the only real love in his life. Because of his doting on her, he developed a distrust for other women (gynephobia) and fear of marrying (gamophobia)”.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sahir was a very touchy person as Akshay Manwani expressed in his biography of Sahir, Sahir Ludhianvi: The People’s Poet: “He was not a vanilla character … He was a man of contradictions. If he was quick to insult, he would apologise as quickly”.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Khushwant Singh also observed that Sahir was prone to mood swings when the former met him for the first time at the party hosted by Rafiq Zakaria in honour of Firaq Gorakhpuri and attended by Akhrtarul Imam and Krishan Chander, the novelist. Sahir was beside himself with rage when a Gujarati businessman, Mota Chudasama, made an inane remark. “Sahir exploded in bad temper: ‘Who invited you here? If you know nothing, you should keep your mouth shut.’”</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sahir was a painter-poet. Replete as his poetry was with themes like despair, agony, human relationships, and existential crises, Sahir excelled in writing romantic songs, filling them with the fauna and flora of nature, drawing a parallel with the experiences of the love-lorn.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sahir exuded a spirit of generosity in his lyrics and his innate humaneness was mirrored in them. One is carried away by the sweep of Sahir’s imagination and how he dovetailed the abstract and the concrete, the masculine and the feminine, in the following stanza:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Maine khaabon mein barson tarashaa tha jisko </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Tum wohee sangemarmar kee tasveer ho </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Tum naa samjho ke tumharaa muqaddar hoon mein </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Mein samjhataa hoon ke tum meri taqdeer ho” </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(You are the same statue of marble whom I chiselled in my dreams for years together; You may not consider me as your fate but I reckon you to be my destiny)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">The abstraction in the word “khaabon” (dreams) is concretised in the word “sangemarmar” (marble) whereas “muqaddar” (fate) and “taqdeer” (destiny) are emblematic of the masculine and the feminine wrought with a subtle spin of expression.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">The following couplet by Sahir is reminiscent of Shakespeare’s play, A Midsummer’s Night’s Dream where the Bard refers to the “poet’s eye” giving to “airy nothing a local habitation and a name”:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Le de ke apne paas faqat ikk nazar to hai </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Kyon dekhein zindagi ko kisi kee nazar se hum”</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(All said and done, I possess an insight alone; why should I visualise life from anybody else’s perspective?)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">A recipient of the Padma Shri in 1971, Sahir was born as Abdul Hayee on March 8, 1921 in Ludhiana of undivided Punjab. His mother, Sardar Begum, was the eleventh of twelve wives and her husband’s wanton ways and illicit relations forced her to leave him. Sahir was separated from his father and lived with his single mother, who faced the trials and tribulations of life alone but with strength.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Sahir’s soul was lacerated by deep scars; his pent-up grief found a cathartic outlet in his writings as he enunciated in the opening verse of Talkhiaan:</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">“Duniya ne tajarbaat-o-havaadas ki shakal mein jo kuchh mujhe diya hai, </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">woh lauta rahaa hoon mein.” </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">(I am reciprocating only that what I have received from the world in the shape of experiences and disasters).</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">Pallan is a Canada-based writer</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[Category:Cinema-TV-Pop|L <ins class="diffchange diffchange-inline">SAHIR LUDHIANVI</ins></div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[Category:Poetry|L  </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">SAHIR LUDHIANVI]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[[Category:Poetry|L SAHIR LUDHIANVI</ins></div></td></tr>
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</table>Jyotihttp://indpaedia.com/ind/index.php/National_Eligibility_cum_Entrance_Test_(Undergraduate)/_NEETNational Eligibility cum Entrance Test (Undergraduate)/ NEET2024-03-16T20:38:13Z<p><a href="/ind/index.php/User:Pdewan" title="User:Pdewan" class="mw-userlink">Pdewan</a> moved page <a href="/ind/index.php?title=National_Eligibility_cum_Entrance_Test_(Undergraduate)/_NEET&redirect=no&action=edit&redlink=1" class="new" title="National Eligibility cum Entrance Test (Undergraduate)/ NEET (page does not exist)">National Eligibility cum Entrance Test (Undergraduate)/ NEET</a> to <a href="/ind/index.php/National_Eligibility_cum_Entrance_Test/_NEET" title="National Eligibility cum Entrance Test/ NEET">National Eligibility cum Entrance Test/ NEET</a> without leaving a redirect</p>
Pdewanhttp://indpaedia.com/ind/index.php/National_Eligibility_cum_Entrance_TestNational Eligibility cum Entrance Test2024-03-16T20:37:37Z<p><a href="/ind/index.php/User:Pdewan" title="User:Pdewan" class="mw-userlink">Pdewan</a> deleted page <a href="/ind/index.php?title=National_Eligibility_cum_Entrance_Test&action=edit&redlink=1" class="new" title="National Eligibility cum Entrance Test (page does not exist)">National Eligibility cum Entrance Test</a> content was: "{| class="wikitable" |- |colspan="0"|<div style="font-size:100%"> This is a collection of articles archived for the excellence of their content.<br/> Additional infor..." (and the only contributor was "<a href="/ind/index.php/Special:Contributions/Jyoti" title="Special:Contributions/Jyoti">Jyoti</a>")</p>
Pdewanhttp://indpaedia.com/ind/index.php?title=National_Eligibility_cum_Entrance_Test_(Undergraduate)/_NEET&diff=130418&oldid=121587National Eligibility cum Entrance Test (Undergraduate)/ NEET2024-03-16T20:35:49Z<p><span dir="auto"><span class="autocomment">See also: </span> </span></p>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Educationist Francis Joseph sees this as a result of the market forces due to which states are customising their board assessments. “First market forces corrupted parents and now the schools. Most of the coaching classes are getting streamlined into mainstream education,” he said. Most states, however, see this trend as an outcome of their concerted efforts. “Around six years back, we had altered our question papers to bring them on par with those nationally. Also, NEET was new to students and now there is more awareness about what is required. And students are generally becoming more competitive,” said Bhagirath Shetye, chairman of Goa Board of Secondary and Higher Secondary Secondary Education.  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> Educationist Francis Joseph sees this as a result of the market forces due to which states are customising their board assessments. “First market forces corrupted parents and now the schools. Most of the coaching classes are getting streamlined into mainstream education,” he said. Most states, however, see this trend as an outcome of their concerted efforts. “Around six years back, we had altered our question papers to bring them on par with those nationally. Also, NEET was new to students and now there is more awareness about what is required. And students are generally becoming more competitive,” said Bhagirath Shetye, chairman of Goa Board of Secondary and Higher Secondary Secondary Education.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> A few states where gap has increased include Andhra Pradesh (-4. 6 to 4. 2percentage points), Bihar (11. 1 to 13. 5 percentage points) and Telangana (-1 to 5. 2percentage points).</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div> A few states where gap has increased include Andhra Pradesh (-4. 6 to 4. 2percentage points), Bihar (11. 1 to 13. 5 percentage points) and Telangana (-1 to 5. 2percentage points).</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">=Undergraduate/ UG =</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==2020==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2020%2F10%2F19&entity=Ar00419&sk=8AAE34EA&mode=text  Manash Pratim Gohain, Nirupa Vatyam & Shoeb Khan, October 19, 2020: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[File: Percentage of candidates from different states who qualified NEET-UG 2020.jpg|Percentage of candidates from different states who qualified NEET-UG 2020 <br/> From: [https://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2020%2F10%2F19&entity=Ar00419&sk=8AAE34EA&mode=text  Manash Pratim Gohain, Nirupa Vatyam & Shoeb Khan, October 19, 2020: ''The Times of India'']|frame|500px]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Northern and southern states continue to dominate National Eligibility cum Entrance Test (Undergraduate) UG 2020 results with states like Delhi and Haryana registering over 70% qualification with respect to candidates appearing from these states.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">From the south, while Kerala and Karnataka continued to have over 60% qualification, the biggest drop registered this year were by Andhra Pradesh and Telangana. Delhi recorded 75.5% qualification with respect to candidates appearing from the region, the highest among states.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Delhi sees 75.5% success rate in NEET ''' </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">  </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Delhi recorded 75.5% qualification with respect to candidates appearing from the region, followed by Haryana with 72.9%. All seven states of north India, including Rajasthan, UP, Punjab and Himachal Pradesh, registered over 60% qualification percentage. Over one-third of the toppers are also from these states.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Rajasthan saw 68.6% candidates out of 95,752 qualify who appeared from this region. But all-India topper Soyeb Aftab, who spent two years in Rajasthan for coaching and appeared for his NEET in Kota, was shown as a top ranker from Odisha in state toppers’ list. The success story of Rajasthan does not lie in the coaching industry as majority of the candidates are domicile students from state. Experts feel that success in the state is from schools affiliated to Rajasthan Board of Secondary Education as the all-India fourth ranked Vineet Sharma of Dausa said the school syllabus helped him in scoring well over others even without any coaching.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">A downside this year has been the performance of candidates from Andhra Pradesh and Telangana, the states which have been among top performing regions. Experts cite lack of continuous monitoring and students being stuck in remote areas with no resources as main reasons for comparatively fewer students qualifying the exam this year.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">==Languages preferred ==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[https://epaper.timesgroup.com/Olive/ODN/TimesOfIndia/shared/ShowArticle.aspx?doc=TOIDEL%2F2020%2F11%2F04&entity=Ar01023&sk=FE49708B&mode=text  Manash Gohain, November 4, 2020: ''The Times of India'']</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">While the Centre plans to offer JEE (Main) in regional languages too, results of NEET-UG 2020 reveal that of the nearly 7.7 lakh candidates who qualified, over 1.3 lakh took the test in 10 Indian languages, with 25,701such students among the top 1 lakh.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Apart from English, NEET-UG is offered in 10 Indian languages — Hindi, Assamese, Bengali, Gujarati, Kannada, Marathi, Odia, Tamil, Telugu, and Urdu. Experts say if these exams had not been conducted in regional languages, many candidates would have struggled to qualify as they may have not have been comfortable in English.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">Welcoming the plans to offer JEE (Main) in regional languages, experts said this would help candidates who study in vernacular language at the senior secondary level. Educationist and CBSE exchief Ashok Ganguly said since admission to engineering colleges is based on one exam, students in vernacular medium shouldn’t be deprived of a level-playing field.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">“But these students will definitely find it difficult to appear in JEE (Advanced). It would be better to fix some state quota for colleges like NITs and their exam be held separately with option to appear in regional languages but for national quota, the medium should only be English. In any case, a student from vernacular medium will find it difficult to continue in IIT. So JEE (Advanced) must be continued in English medium.”</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=See also=</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>=See also=</div></td></tr>
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</table>Pdewanhttp://indpaedia.com/ind/index.php?title=Box_office_records_of_Malayalam_films&diff=130417&oldid=130414Box office records of Malayalam films2024-03-16T19:33:49Z<p></p>
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</table>Pdewanhttp://indpaedia.com/ind/index.php/File:Manjummel_Boys.pngFile:Manjummel Boys.png2024-03-16T19:32:21Z<p><a href="/ind/index.php/User:Pdewan" title="User:Pdewan" class="mw-userlink">Pdewan</a> uploaded "<a href="/ind/index.php/File:Manjummel_Boys.png" title="File:Manjummel Boys.png">File:Manjummel Boys.png</a>"</p>
Pdewanhttp://indpaedia.com/ind/index.php?title=Box_office_records_of_Malayalam_films&diff=130414&oldid=129619Box office records of Malayalam films2024-03-16T19:26:13Z<p></p>
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<td colspan='2' style="background-color: white; color:black;">Revision as of 19:26, 16 March 2024</td>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>   </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins class="diffchange diffchange-inline">[[File: </ins> <ins class="diffchange diffchange-inline">Manjummel Boys.png| Manjummel Boys (2024) |frame|500px]] </ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>[[File: pulimurugan1.jpg| ''Pulimurugan '' (2016): the <del class="diffchange diffchange-inline">biggest hit </del>in the history of Malayalam cinema|frame|500px]]  </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>[[File: pulimurugan1.jpg| ''Pulimurugan '' (2016): <ins class="diffchange diffchange-inline">was for seven years </ins>the <ins class="diffchange diffchange-inline">highest-grossing film </ins>in the history of Malayalam cinema<ins class="diffchange diffchange-inline">, even in absolute terms, without accounting for inflation</ins>|frame|500px]]  </div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>==2000-<del class="diffchange diffchange-inline">2019: gross box office collections</del>==  </div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>==2000-<ins class="diffchange diffchange-inline">2024/ The highest grossers in Malayalam cinema history</ins>==  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[File: Urumi The Warriors Who Wanted to Kill Vasco Da Gama1.jpg| '' Urumi: The Warriors Who Wanted to Kill Vasco Da Gama '' (2011) |frame|500px]]  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[File: Urumi The Warriors Who Wanted to Kill Vasco Da Gama1.jpg| '' Urumi: The Warriors Who Wanted to Kill Vasco Da Gama '' (2011) |frame|500px]]  </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Sources:  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>Sources:  </div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="background: #ffa; color:black; font-size: smaller;"><div>Indpaedia’s own archives for 2000-2016</div></td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div>Indpaedia’s own archives for 2000-2016<ins class="diffchange diffchange-inline">, 2023, 2024</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://www.topmovierankings.com/blogs/highest-grossing-malayalam-movies-of-all-time  Top Movie Rankings] for 2017-19.  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[https://www.topmovierankings.com/blogs/highest-grossing-malayalam-movies-of-all-time  Top Movie Rankings] for 2017-19.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''Manjummel Boys''' (2024) ₹ 181.05 crores* gross in 23 days</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' 2018  ''' (2023) ₹181 crores gross.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>''' Pulimurugan ''' (2016): Budget Rs 25 crore; Revenues '''₹135 crore''' [http://indiatoday.intoday.in/story/baahubali-2-box-office-collection-prabhas-rana-ss-rajamouli/1/956626.html  ''India Today'']/ [http://www.firstpost.com/entertainment/bahubali-2-baahubali-2-the-conclusion-makes-box-office-history-in-kerala-inches-to-rs-60-crore-collection-3454708.html Sreedhar Pillai | First Post] added, ‘The producers of Pulimurugan claimed that they have grossed worldwide Rs 100 crore plus, but have not been forthcoming with a complete breakup of the collections.’ We have accepted the figure given by [https://www.topmovierankings.com/blogs/highest-grossing-malayalam-movies-of-all-time  Top Movie Rankings]  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>''' Pulimurugan ''' (2016): Budget Rs 25 crore; Revenues '''₹135 crore''' [http://indiatoday.intoday.in/story/baahubali-2-box-office-collection-prabhas-rana-ss-rajamouli/1/956626.html  ''India Today'']/ [http://www.firstpost.com/entertainment/bahubali-2-baahubali-2-the-conclusion-makes-box-office-history-in-kerala-inches-to-rs-60-crore-collection-3454708.html Sreedhar Pillai | First Post] added, ‘The producers of Pulimurugan claimed that they have grossed worldwide Rs 100 crore plus, but have not been forthcoming with a complete breakup of the collections.’ We have accepted the figure given by [https://www.topmovierankings.com/blogs/highest-grossing-malayalam-movies-of-all-time  Top Movie Rankings]  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Lucifer ''' (2019)  Budget: ₹50 crore, revenues:: ₹110+ crore</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Lucifer ''' (2019)  Budget: ₹50 crore, revenues:: ₹110+ crore</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">''' Premalu ''' (2024)  Rs 103.50 crore</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''Neru ''' (2023) ₹86 crore  </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''Bheeshma Parvam ''' (2022) ₹85 crore </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"> </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''RDX ''' (2023) ₹84.55 crore  </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''Kannur Squad ''' (2023) ₹82 crore  </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">'''Kurup ''' (2021) ₹81 crore  </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Drishyam ''' (2013) Budget: ₹Rs.4.50 crore, Revenues: ₹75 crore plus (It had the highest return on investment/ profit margin among all Malayalam films released till 2020: 1,566%. Even at TMR’s estimate of revenues of ₹66.25 crore its ROI/ profit was 1,372%.)  </div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>'''Drishyam ''' (2013) Budget: ₹Rs.4.50 crore, Revenues: ₹75 crore plus (It had the highest return on investment/ profit margin among all Malayalam films released till 2020: 1,566%. Even at TMR’s estimate of revenues of ₹66.25 crore its ROI/ profit was 1,372%.)  </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Cinema-TV-Pop|M BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:India|MBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:India|MBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFFICE RECORDS OF MALAYALAM FILMS]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFFICE RECORDS OF MALAYALAM FILMS]]</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFFICE RECORDS OF MALAYALAM FILMS]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFFICE RECORDS OF MALAYALAM FILMS]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>[[Category:Pages with broken file links|BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:Cinema-TV-Pop|M BOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">[[Category:India|MBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMSBOX OFFICE RECORDS OF MALAYALAM FILMS</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="background: #cfc; color:black; font-size: smaller;"><div><ins style="color: red; font-weight: bold; text-decoration: none;">BOX OFFICE RECORDS OF MALAYALAM FILMS]]</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFFICE RECORDS OF MALAYALAM FILMS]]</div></td><td class='diff-marker'> </td><td style="background: #eee; color:black; font-size: smaller;"><div>BOX OFFICE RECORDS OF MALAYALAM FILMS]]</div></td></tr>
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