Indian cinema: 1970-79

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Revision as of 19:21, 27 April 2013

Indian cinema: 1970-79

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Title and authorship of the original article(s)

Brief history of Indian cinema By UrooJ, aligarians.com, mid-2000

Bollywood Cinema By h2g2, mid-2000

BBC

The Commercial 70s of Indian Films By indianetzone, mid-2000

This is an article selected for the excellence of its content.
You can help by adding similar details about Tamil, Telugu, Bengali and all the other cinemas of India. Also please bring it up to date. Please also put categories, paragraph indents, headings and sub-headings,and combine this with other articles on exactly the same subject.

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1970

M. G. Ramachandran’s Ulagam Sutrum Vaalibhan (1973), set new box office records
Daana Veera Soora Karna (1977/ Telugu) was one of N. T. Rama Rao’s biggest hits

1970 : Pattabai Rama Reddy’s Sanskara becomes path breaker for low budget Kannada cinema. Devika Rani is the first recipient of the Dadasaheb Phalke Award. English gossip magazine Stardust launched. Close Up (no. 5/6) publishes a special number on ‘The Indian film Scene.’ Journal of the Kerala Film Chamber starts. Firoze Rangoonwala comes out with Indian Filmography: Silent and Hindi Films 1897-1969.

1971 : Agreement between the Indian Government and the MPEAA is allowed to expire. The directive to the FFC to sponsor independent film-making is written into its official objectives. Shantata! Court Chalu Aahe starts the New Indian Cinema Movement in Marathi. Deaths of Debaki Bose and K. Asif

1972 : First art house cinema opened by the FFC. First features in Manipuri (Matamgi Manipur) and Coorgi (Nada Manne Nada Koolu). MGR is expelled from the DMK and forms the ADMK. The first co-operative run by technicians, The Chitralekha Co-op, starts production with Adoor Gopalakrishnan’s debut Swayamwaram. The Malayalam film weekly Nana starts. Do Gaz Zameen ke Neeche establishes the Ramsay brothers and the horror genre in Hindi. Deaths of Prithviraj Kapoor, Geeta Dutt and Meena Kumari. Pakeezah goes on to become a big hit after Meena Kumari’s death.

1973 : The FFC becomes channelising agency for import and distribution of raw stock. The Government imposes 250% import duty on raw film. First Haryanvi Film (Beera Shera). Bobby reinvigorates the love story genre. Zanjeer launches Amitabh Bachchan as the ‘angry young man.’ Shyam Benegal’s Ankur is a commercial success starting the middle-of-the-road cinema of the independently financed, commercially designed art-house movie, a genre that soon dominates state-sponsored film and television. Launch of the Bombay based weekly trade paper Film Information providing the most reliable listings of Hindi Cinema.

1974 : Hindustan Photo Films starts limited production of positive colour stock. The Film Festival of India becomes an annual event. The Film Institute of India is registered as an autonomous society and is merged with the TV training centre to become the Film and Television Institute of India (FTII).

Deewar (1975), the era of the angry young man at its peak

1975 : A new agreement with the MPEAA means that US films can be imported again. Sholay, India’s second film in 70mm stereophonic sound and arguably India’s biggest cult filmCinemaScope and 70mm films is released and breaks box-office records. The other big surprise hit of the year is Jai Santoshi Ma. The Bengali film fortnightly Anandalok starts. Death of S.D.

1976 : Strict censorship of films during the Emergency imposed by Indira Gandhi. Amrit Nahata’s Kissa Kursi ka, a satire on power politics destroyed. The Committee on Public Undertaking attacks the FFC art-film policy. The journal Film Blaze starts in Bombay. Death of Mukesh.

1978 : The Orissa Film Development Corporation announces the financing of ‘Janta Cinema Houses’ in rural and semi-urban areas. Panorama of Indian Cinema at the Carthage Film Festival. The Malayalam film journal Chitrabhoomi is started by the owners of the mainstream daily Mathrubhoomi.

Indian cinema: 1980-89
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