National Film Awards (India): 2015
Contents |
The 62nd National Film Awards: the highlights
Best Feature Film: Court (Marathi, Hindi, Gujarati & English)
Best Popular Film for Providing Wholesome Entertainment: Mary Kom (See Mary Kom, the film)
Indira Gandhi Award for Best Debut Film of a Director: Asha for Jaoar Majhe
Special Jury Award:Khwada (Marathi)
Best Direction: Srijit Mukherji for Chotushkone (Bengali)
Best Actress: Kangana Ranaut for Queen
Best Actor: Vijay for Nanu Avanalla Avalu (Kannada)
Best Supporting Actor: Bobby Simhaa for Jigarthanda (Tamil)
Best Supporting Actress: Baljinder Kaur for Pagdi The Honour (Haryanavi)
Best Child Actor: Kaakkaa Muttai(Tamil)
Best Female Playback Singer: Uttara Unnikrishanan for Azhagu, Saivam (Tamil)
Best Costume Designer:Haider (Hindi) Dolly Ahluwalia
Best Make-up Artist: Nangaraju & Raju for Nanu Avanalla Avalu (Kannada)
Best Cinematography: Chotushkone (Bengali)
Best Editing: Vivek Harshan for Jigarthanda (Tamil)
Best Production Design: Aparna Raina for Nachom - IA Kumpasar (Konkani)
Best Screenplay Writer (Original): Srijit Mukherji for Chotushkone (Bengali)
Best Screenplay Writer (Adapted) : Joshy Mangalath for Ottal (Malayalam)
Best Dialogues: Vishal Bhardwaj for Haider
Best Lyrics: NA. Muthukumar for Azhagu, Saivam (Tamil)
Best Music Direction Songs:Haider
Best Music Direction Background Score:Nineteen Eighty Three (Malayalam)
Best Audiography - Location Sound Recordist: Mahaveer Sabbanwal for Khwada (Marathi)
Best Audiography - Sound Designer: Anish John for Asha Jaoar Majhe (Bengali)
Best Audiography - Re-recordist of the final mixed track: Anirban Sengupta & Dipankar Chaki for Nirbashito (Bengali)
Best Choreography: Sudesh Bismil, Haider
Special Mention: Killa (Marathi), Bhootnath Returns (Hindi), Ain (Malayalam), Nachom - IA Kumpasar (Konkani)
Best Film on Environment Consevation/Preservation: Ottaal (Malayalam)
Best Educational Film: Komal & Behind the Glass Wall
Best Exploration/ Adventure Film: Life Force - India's Western Ghats
Best Investigative Film:Phum Shang
Best Animation Film:Sound of Joy
Best Short Fiction Film:Mitraa
Best Film on Social Issues:Chotoder Chobi
Best Children's Film:Kaakkaa Muttai (Tamil) & Elizabeth Ekadashi (Marathi)
Best Film Critic: Tanul Thakur
Best Book on Cinema: Silent Cinema: (1895-1930)
Best films in Indian languages
Best Assamese Film: Othello
Best Bengali Film: Nirbashito
Best Hindi Film: Queen
Best Rabha Film: Orong
Best Haryanvi Film: Pagdi The Honour
Best Punjabi Film: Punjab 1984
Best Tamil Film: Kuttram Kadithal
Best Telugu Film: Chandamama Kathalu
Best Malayalam Film: Ain
Best Marathi Film: Killa
Best Odiya Film: Aadim Vichar
Best Kannada Film: Harivu
Best Konkani Film:Nachom - IA Kumpasar
Details
Feature Films
Name Of Award |
Name of Film |
Awardees |
Citation |
Medal & Cash Prize |
Best Feature Film
|
Court (Marathi, Hindi, Gujarati & English) |
Producer: Zoo Entertainment Pvt. Ltd.
Director : Chaitanya Tamhane |
|
Swarna Kamal and
2,50,000/- each to
the Producer and Director |
Indira Gandhi Award For Best Debut Film Of A Director |
Asha Jaoar Majhe (Bengali) |
Producer: F.O.R Films Pvt. Ltd.
Director : Aditya Vikram Sengupta |
|
Swarna Kamal and
1,25, 000/- each to the Producer and Director |
Best Popular Film Providing Wholesome Entertainment |
Mary Kom
(Hindi) |
Producer: Viacom 18 Motion Pictures Director : Omung Kumar |
For an inspiring tale of a woman who becomes a national icon through her determined pursuit of sporting excellence. |
Swarna Kamal and 2,00,000/- each to the Producer and Director |
Best Film On Social Issues |
Chotoder Chobi (Bengali) |
Producer: Shree Venkatesh Films Pvt. Ltd. Director : Kaushik Ganguly |
For its empathetic portrayal of marginalized people and their struggle for a life of dignity. |
Rajat Kamal and Rs1,50,000/- each to the Producer and Director |
Best Film On Environment Conservation/ Preservation |
Ottaal
(Malayalam) |
Producer: Director Cutz Film Company (P) Ltd. Director : Jayaraj |
Ottal, a visual poem, expresses the beauty and serenity of the protagonist’s rural environment and a way of life whose value is measured by the poignancy of its loss. |
Rajat Kamal and Rs1,50,000/- each to the Producer and Director |
Best Children’s Film: (joint) |
Kaakkaa Muttai (Tamil)
|
Producer: Grass Root Film Company
Director : Manikandan M |
Kaakkaa Muttai for narrating a charming
story of two brothers who are unaware of their deprived status and have a
confrontation with the tastelessness of globalization. |
Swarna Kamal and 1,50,000/- each to the Producer and Director (Cash component to be shared between films) |
Best Children’s Film (joint) |
Elizabeth Ekadashi (Marathi) |
Producer: Essel Vision Productions Ltd. Director : Paresh Mokashi |
Elizabeth Ekadashi is a delightful tale that reaffirms children's ability to negotiate the complexities of life with relative ease. |
|
Best Direction |
Chotushkone (Bengali) |
Srijit Mukherji |
For its brilliantly reflexive use of the cinematic idiom through a playful and innovative mise-en-scene that tautens to an unexpected and gripping climax. |
Swarna Kamal and Rs 2,50,000/- |
Best Actor
|
Nanu Avanalla Avalu (Kannada) |
Vijay
|
For his subtle and non-stereotypical playing of a woman trapped in a man’s body, portraying a gamut of emotions as s/he struggles through confusion, rejection and humiliation to finally chart her own course with confidence and dignity. |
Rajat Kamal and Rs50,000/-
|
Best Actress |
Queen (Hindi)
|
Kangana Ranaut |
For an endearingly etched out performance that is grounded in contextual specificity and at the same time is disarmingly spontaneous as to appear almost improvisatory. |
Rajat Kamal and Rs50,000/- |
Best Supporting Actor |
Jigarthanda (Tamil) |
Bobby Simhaa |
For an engaging portrayal of a dreaded Mafia don who plays both the villain and the comic with a rare flamboyance and abandon. |
Rajat Kamal and Rs 50,000/-
|
Best Supporting Actress |
Pagdi The Honour (Haryanavi) |
Baljinder Kaur |
For a very expressive performance as a gritty rustic woman who struggles as wife and mother to keep her family intact in a society obsessed with patriarchal honour. |
Rajat Kamal and 50,000/- |
Best Child Artist
|
Kaakkaa Muttai (Tamil)
|
J. Vignesh & Ramesh |
For their portrayal of inseparable siblings living in a slum who innocently struggle with rare dignity to acquire what attracts them in this vast market of products unleashed by a liberal economy only to realise the harsh reality of invincible class boundaries. |
Rajat Kamal and Rs50,000/- (cash component to be shared) |
Best Male Playback Singer |
Haider (Hindi) |
Sukhwinder Singh (Song: Bismil) |
For a powerful rendition which effectively reflects the agony and anger of the protagonist.
|
Rajat Kamal and Rs50,000/- |
Best Female Playback Singer |
Saivam (Tamil)
|
Uttara Unnikrishanan (Song: Azhagu) |
For evoking an emotional resonance through the purity and innocence of her voice. |
Rajat Kamal and 50,000/- |
Best Cinematography |
Chotushkone (Bengali) |
Sudeep Chatterjee |
For exhibiting a wide spectrum of space and time while effortlessly knitting the emotional fabric of the film. |
Rajat Kamal and Rs 50,000/- each
|
Best Screenplay Writer (Original): |
i. Chotushkone (Bengali) |
Srijit Mukherji |
Chotushkone for the masterful telling of a taut suspense thriller which weaves a sinister web around the journey and lives of four egotistical characters. |
Rajat Kamal and 50,000/- |
Best Screenplay Writer (Adapted) : |
Ottal (Malayalam) |
Joshy Mangalath |
Ottal for beautifully transposing Anton Chekov’s short story onto a canvas of nature that enhances the shades of the original. |
Rajat Kamal and 50,000/- |
Best Dialogues |
Haidar (Hindi) |
Vishal Bhardwaj |
Haider for the multi layered and resonant dialogues that evoke angst and passion with crispness and brevity. |
Rajat Kamal and 50,000/- |
Best Audiography
|
|
|
|
|
I) Location Sound Recordist |
i. Khwada (Marathi) |
Mahaveer Sabbanwal |
Khwada for its excellent live sound quality which skillfully captures all the ambient sounds with the right tonal balance. |
Rajat Kamal and 50,000/- |
Sound Designer |
Asha Jaoar Majhe (Bengali) |
Anish John |
Asha Jaoar Majhe for creating a brilliant soundscape which enhances the narrative even in the absence of the spoken word. |
Rajat Kamal and 50,000/- |
Re-Recordist Of The Final Mixed Track |
Nirbashito (Bengali) |
Anirban Sengupta & Dipankar Chaki |
Nirbashito for the seamless movement from chaos into the quietness of solitude while integrating various elements of sound. |
Rajat Kamal and 50,000/- |
Best Editing |
Jigarthanda (Tamil) |
Vivek Harshan |
For structuring the different narratives of raw cruelty and urban cunning that eventually intermingle with positive and humourous overtones through skillful editing. |
Rajat Kamal and 50,000/-
|
Best Production Design |
Nachom – IA Kumpasar (Konkani) |
Aparna Raina |
For convincingly recreating spaces from a different era and with minute attention to detail. |
Rajat Kamal and 50,000/- |
Best Costume Designer
|
Haider (Hindi)
|
Dolly Ahluwalia |
For capturing the essence of the characters and moods with creative flourish. |
Rajat Kamal and 50,000/- |
Best Make-Up Artist |
Nanu Avanalla Avalu (Kannada) |
Nangaraju |
For the realistic creation of gender duality in a character through different phases of life. |
Rajat Kamal and 50,000/- |
Best Music Direction |
|
|
|
|
Songs
|
Haider (Hindi) |
Vishal Bhardwaj
|
For developing the conflict of the inner and outer landscape through haunting music. |
Rajat Kamal and 50,000/- |
Background Score |
Nineteen Eighty Three (Malayalam) |
Gopi Sunder |
For maintaining the tempo of the film with an in-sync background score. |
Rajat Kamal and 50,000/- |
Best Lyrics |
Saivam (Tamil) |
NA. Muthukumar |
For embodying the world as seen through the eyes of a child using common place images to make an appeal to an adult world. |
Rajat Kamal and 50,000/- |
Special Jury Award |
Khwada (Marathi) |
Director: Bhaurao Karhade |
For a hard-hitting but restrained narration of the harsh realities of a nomadic shepherd community who are in search of stability. |
Rajat Kamal and 2,00,000/- |
Best Choreography |
Haider (Hindi) (Bismil) |
Sudesh Adhana
|
For the evocative fusion of performative grammars, interweaving a staccato whirling of masculinised bodies with larger than life puppets, to create a dance that is firmly embedded within the narrative. |
Rajat Kamal and 50,000/- |
Language-wise:
BEST FEATURE FILM IN EACH OF THE LANGUAGE SPECIFIED IN THE SCHEDULE VIII OF THE CONSTITUTION
Best Assamese Film |
Othello |
Producer: Artha Films Director : Hemanta Kumar Das |
Best Bengali Film |
Nirbashito |
Producer: Kaushik Ganguly Productions
Director : Churni Ganguly |
Best Hindi Film |
Queen |
Producer: Phantom Films Pvt. Ltd. & Viacom 18 Motion Pictures
Director : Vikas Bahl |
Best Kannada Film |
Harivu |
Producer: Om Studio
Director : Manjunath S. (Mansore) |
Best Konkani Film |
Nachom – IA Kumpasar
|
Producer: Goa Folklore Productions
Director: Bardroy Barretto |
Best Malayalam Film |
Ain |
Producer: 1: 1: Enternatments
Director: Sidhartha Siva |
Best Marathi Film |
Killa |
Producer: JAR Pictures & M R Film Works
Director: Avinash Arun |
Best Odiya Film |
Aadim Vichar |
Producer: Mohapatra Movie Magic Pvt. Ltd.
Director: Sabyasachi Mohapatra |
Best Punjabi Film |
Punjab 1984 |
Producer: White Hill Production India Pvt. Ltd.
Director: Anurag Singh |
Best Tamil Film |
Kuttram Kadithal |
Producer: JSK Film Corporation
Director: Bramma.G |
Best Telugu Film |
Chandamama Kathalu |
Director: Praven Sattaru |
Other languages
Best Feature Film In Each Of The Languages Specified Other Than Schedule Viii Of The Constitution
Best Haryanvi Film |
Pagdi The Honour |
Producer: V R Entertainers
Director: Rajeev Bhatia |
Best Rabha Film |
Orong |
Producer: Suraj Kr. Duwarah, Aucto Creation
Director: Suraj Kr. Duwarah |
Special mention
Special mention
Ain (Malayalam) |
Musthafa |
Nachom – IA Kumpasar (Konkani) |
Palomi Ghosh |
Killa (Marathi)
|
Parth Bhalerao |
Non Feature Films
Name Of Award |
Name of Film |
Awardee |
Citation |
Medal & Cash Prize |
Best Non Feature Film |
Tender is the Sight |
Producer: Films Division Director: Torsha Banerjee |
For its sensitive and lyrical portrayal of ten-year-old Hassirbullah, who, though visually challenged, creates a symphony of sounds. The film captures his universe, his life and his talent, softly and gently.
|
SWARNA KAMAL & 1,50,000/- each to the Producer & Director
|
Best Debut Film Of A Director
|
Goonga Pahalwan |
Producer: Drishti Media Director: Mit Jani, Prateek Gupta & Vivek Chaudhary |
For its fun, yet mature portrayal of its protagonist, a champion at the Deaf Olympics. It pointedly questions the politics that impede this capable athlete’s route to the Rio Olympics. |
RAJAT KAMAL & 75,000/- each to the Producer & Director * |
Best Anthropological/ Ethnographic Film |
Qissa – e – Parsi : The Parsi Story |
Producer: Public Service Broadcasting Trust
Director: Divya Cowasji & Shilpi Gulati |
For its light-hearted yet comprehensive telling of the story of India’s much loved community, the Parsis. It explores their history, the philosophy of their faith, their enterprise and their way of life, with delight and laughter. |
RAJAT KAMAL& 50,000/- each to the Producer & 50,000/- Director * |
Best Biographical/ Historical Reconstruction
|
Aamaar Katha: Story of Binodini |
Producer: Films Division
Director: Tuhinabha Majumdar |
For its stylistic and poetic portrayal of the 19th century theatre actress Binodini Devi’s autobiography. |
RAJAT KAMAL & 50,000/- each to the Producer & Director |
Best Arts /Cultural Film
|
Kapila |
Producer: Films Division
Director: Sanju Surendran |
For its unique and expressive rendering of Kapila’s sheer artistry over Kudiyattam, the world’s oldest theatrical art form.
|
RAJAT KAMAL& 50,000/- each to the Producer & Director |
Best Promotional Film (To Cover Tourism, Exports, Crafts, Industry Etc)
|
Documentation of Clay Image Makers of Kumartuli |
Producer: Indira Gandhi National Centre for the Arts
Director: Ranajit Ray |
For its extensive study of the craft and community of the clay makers in the context of changing times.
|
RAJAT KAMAL & 50,000/- each to the Producer & Director |
Best Environment Film Including Agriculture
|
I Cannot Give You My Forest |
Producer: Top Quark Films Pvt. Ltd.
Director: Nandan Saxena & Kavita Bahl |
For its concerned and empathetic exploration of the tribal communities in Rayagada, Orissa, who derive their sustenance and identity from the forest. |
RAJAT KAMAL & 50,000/- each to the Producer & Director |
Best Film On Social Issues (joint)
|
Can’t Take This Shit Anymore
|
Director: Vinod Kapri Producer: Bhagirathi Films
|
For incisively highlighting the acute desperation of rural women and the problems they face from the lack of basic and essential facilities for sanitation.
|
RAJAT KAMAL & 50,000/- each Producer & Director
(Cash Component to be shared) |
Best Film On Social Issues (joint) |
Daughters of Mother India |
Director: Vibha Bakshi |
For explicitly and determinedly turning the spotlight on the burning issue of rape in the country and the brutal mentality that drives it. |
|
Best Educational Film (joint) |
Komal
|
Producer: Climb Media India Pvt. Ltd. Director: Prashant Shikare |
KOMAL – For effectively and concisely communicating essential information to children to protect themselves from sexual abuse. |
RAJAT KAMAL& 50,000/- each to the Producer & Director (Cash Component to be shared) |
Best Educational Film (joint) |
Behind the Glass Wall |
Producer: Gaahimedia Director: Aruna Raje Patil |
BEHIND THE GLASS WALL –For its exhaustive exploration of the world and challenges of the autistic and their caregivers. |
|
Best Exploration/ Adventure Film (To Include Sports) |
Life Force – India’s Western Ghats |
Producer: Grey Films India Pvt. Ltd.
Director: Nallamuthu Subbiah |
For taking the viewer deep into the Western Ghats and engagingly revealing its rare and incredible biodiversity.
|
RAJAT KAMAL & 50,000/- each to the Producer & Director |
Best Investigative Film
|
Phum Shang |
Producer: Films Division
Director: Haobam Paban Kumar |
For its quiet and fair-hearted investigation of the fishermen communities and their floating dwellings on Loktak Lake, Manipur, even as government agencies and conservationists struggle to save the lake. |
RAJAT KAMAL & 50,000/- each to the Producer & Director |
Best Animation Film |
Sound of Joy |
Producer: Aura Cinematics Director: Sukankan Roy Animator: Rishi Sanay |
For its flowing and engaging animation style in telling the stories from Vivekananda’s childhood and its emphasis on developing the power of concentration. |
RAJAT KAMAL & 50,000/- each to the Producer, Director & Animator |
Special Jury Award |
A Poet, A City & A Footballer |
Producer: Films Division Director: Joshy Joseph |
For demonstrating the power of cinema in weaving together life, poetry and reflections of its protagonist in the face of impending death |
RAJAT KAMAL & 50,000/- each to the Producer & Director |
Best Short Fiction Film |
Mitraa |
Producer: Athaansh Communications
Director: Ravindra Jadhav |
For its empathetic portrayal of its pivotal character’s sexual orientation, and the question of freedom around it. Shot in monochrome, the film adds to the antiquity for the era it is set in. |
RAJAT KAMAL & 50,000/- each to the Producer & Director |
Best Film On Family Values |
Towards the Silver Lining |
Producer: Satyajit Ray Film & Television Institute Director: Bhabani Tamuli |
For its sensitive portrayal of a paraplegic girl who builds a house for her mother, and the touching bond between them. |
RAJAT KAMAL & 50,000/- each to the Producer & Director
|
Best Direction
|
Aaranyak |
Director: Renu Savant |
For its existential definition of layered thoughts and emotion that move through a reflective search to end in an ironic arrival into the real. |
SWARNA KAMAL & 1,50,000/- |
Best Cinematography
|
Aamaar Katha: Story of Binodini |
Cameraman: Indraneel Lahiri |
For its stunning and sensual visual imagery that brings the story of Binodini alive. |
RAJAT KAMAL &Rs 50,000/- to Cameraman |
Best Audiography
|
Tender is the Sight |
Audiographers : Anindit Roy, Ateesh Chattopadhyay & Ayan Bhattacharya |
The film travels through the imaginary line of manifest and unmanifest worlds of visual and sound that balance effortlessly, imprinting the audience with a haunting aural experience. |
RAJAT KAMAL & 50,000/- |
Best Editing
|
Tigress Blood |
Editor: Andi Campbell Waite |
For seamlessly structuring the inner worlds of four tigress sisters through an incisive cinematic arrangement of their outer spaces. |
RAJAT KAMAL & 50,000/-
|
Best Narration/ Voice Over
|
Nitya Kalyani – Oru Mohiniyattam Patham |
Narrator: Ambooty Devi |
For the depth of its research and its poetic rendition of the history of Mohinyattam across the mighty empires along the riverbanks of Tungabhadra to Thanjavur. |
RAJAT KAMAL & 50,000/-
|
Special Mention
|
a) Gunjaa |
Director: Mrinal Dev
|
For poignantly telling the story of Gunjaa, a young girl in Bihar, and her innocent but ironic understanding of death. |
CERTIFICATE
|
Special Mention
|
Seek and Hide |
Director: Manoj Kumar Nitharwal
|
For its fine juxtaposition of a child’s expression of fear with the unawareness of the parents to elucidate a complex story of paedophelia.
|
|
Special Mention
|
5 O’Clock Accident |
Director: Ruchir Arun |
For its gritty story and compelling treatment of a voyeuristic teenager and the darkness that comes with his obsession. |
|
Best Book on Cinema
Title of the Book |
Author |
Publisher |
Citation |
Silent Cinema: |
Swarna Kamal and Rs 75000/- to the Author: Pasupuleti Purnachandra Rao |
Swarna Kamal and Rs 75000/- to the Publisher: EMESCO BOOKS |
Pasupuleti Purnachandra Rao’s work on silent cinema commands attention. It is as worthy of a scholar’s consideration as a common cinegoer’s time. He walks down the memory lane to come up with a work that is likely to go down as a benchmark for serious research in Indian cinema. |
Special Mention
Title of the Book |
Author |
Citation |
Pride of Tamil Cinema (1931-2013) |
Only Certificate: |
G. Dhananjayan’s Pride of Tamil Cinema deserves careful consideration for the sheer expanse of the work. The book is a painstaking effort which will have a relevance many years down the line. |
Best Film Critic
Name of the Critic |
Citation |
Swarna Kamal and Rs 75000/- to the Critic: Tanul Thakur |
Tanul Thakur’s work is like a breath of fresh air. In brevity lies the strength of Thakur’s analysis of crests and troughs of Indian cinema. Without being didactic, Thakur is able to provide a different perspective to seemingly disparate elements and string them together in a lucid fashion. |
Sources include
See also
National Film Awards (India): 2014<>National Film Awards (India): 2015<>National Film Awards (India): 2016<>National Film Awards (India): 2017<>